All checks were successful
Docker Deploy / build-and-push (push) Successful in 3m23s
4939 lines
144 KiB
Plaintext
4939 lines
144 KiB
Plaintext
The Two Noble Kinsmen
|
|
by William Shakespeare
|
|
Edited by Barbara A. Mowat and Paul Werstine
|
|
with Michael Poston and Rebecca Niles
|
|
Folger Shakespeare Library
|
|
https://shakespeare.folger.edu/shakespeares-works/the-two-noble-kinsmen/
|
|
Created on Jul 31, 2015, from FDT version 0.9.2
|
|
|
|
Characters in the Play
|
|
======================
|
|
PROLOGUE
|
|
The two noble kinsmen, cousins, nephews of Creon, King of Thebes:
|
|
ARCITE
|
|
PALAMON
|
|
THESEUS, Duke of Athens
|
|
HIPPOLYTA, Queen of the Amazons, later Duchess of Athens
|
|
EMILIA, her sister
|
|
PIRITHOUS, friend to Theseus
|
|
Three QUEENS, widows of the kings killed in laying siege to Thebes
|
|
The JAILER of Theseus's prison
|
|
The Jailer's DAUGHTER
|
|
The Jailer's BROTHER
|
|
The WOOER of the Jailer's daughter
|
|
Two FRIENDS of the Jailer
|
|
A DOCTOR
|
|
ARTESIUS, an Athenian soldier
|
|
VALERIUS, a Theban
|
|
WOMAN, attending on Emilia
|
|
An Athenian GENTLEMAN
|
|
Six KNIGHTS, three accompanying Arcite, three Palamon
|
|
Six COUNTRYMEN, one dressed as a BAVIAN or baboon
|
|
A SCHOOLMASTER
|
|
NELL, a countrywoman
|
|
A TABORER
|
|
A singing BOY, a HERALD, MESSENGERS, a SERVANT
|
|
EPILOGUE
|
|
Hymen (god of weddings), lords, soldiers, four countrywomen (Fritz, Maudlin, Luce, and Barbary), nymphs, attendants, maids, executioner, guard
|
|
|
|
|
|
[Flourish. Enter Prologue.]
|
|
|
|
|
|
PROLOGUE
|
|
New plays and maidenheads are near akin:
|
|
Much followed both, for both much money giv'n,
|
|
If they stand sound and well. And a good play,
|
|
Whose modest scenes blush on his marriage day
|
|
And shake to lose his honor, is like her
|
|
That after holy tie and first night's stir
|
|
Yet still is modesty, and still retains
|
|
More of the maid, to sight, than husband's pains.
|
|
We pray our play may be so, for I am sure
|
|
It has a noble breeder and a pure,
|
|
A learned, and a poet never went
|
|
More famous yet 'twixt Po and silver Trent.
|
|
Chaucer, of all admired, the story gives;
|
|
There, constant to eternity, it lives.
|
|
If we let fall the nobleness of this,
|
|
And the first sound this child hear be a hiss,
|
|
How will it shake the bones of that good man
|
|
And make him cry from underground "O, fan
|
|
From me the witless chaff of such a writer
|
|
That blasts my bays and my famed works makes
|
|
lighter
|
|
Than Robin Hood!" This is the fear we bring;
|
|
For, to say truth, it were an endless thing
|
|
And too ambitious, to aspire to him,
|
|
Weak as we are, and, almost breathless, swim
|
|
In this deep water. Do but you hold out
|
|
Your helping hands, and we shall tack about
|
|
And something do to save us. You shall hear
|
|
Scenes, though below his art, may yet appear
|
|
Worth two hours' travel. To his bones sweet sleep;
|
|
Content to you. If this play do not keep
|
|
A little dull time from us, we perceive
|
|
Our losses fall so thick we must needs leave.
|
|
[Flourish. He exits.]
|
|
|
|
|
|
|
|
ACT 1
|
|
=====
|
|
|
|
Scene 1
|
|
=======
|
|
[Music. Enter Hymen with a torch burning, a Boy in
|
|
a white robe before, singing and strewing flowers.
|
|
After Hymen, a Nymph encompassed in her tresses,
|
|
bearing a wheaten garland; then Theseus between
|
|
two other Nymphs with wheaten chaplets on their
|
|
heads. Then Hippolyta, the bride, led by Pirithous,
|
|
and another holding a garland over her head, her
|
|
tresses likewise hanging. After her, Emilia, holding
|
|
up her train. Then Artesius and Attendants.]
|
|
|
|
The Song, sung by the Boy.
|
|
|
|
Roses, their sharp spines being gone,
|
|
Not royal in their smells alone,
|
|
But in their hue;
|
|
Maiden pinks, of odor faint,
|
|
Daisies smell-less, yet most quaint,
|
|
And sweet thyme true;
|
|
Primrose, firstborn child of Ver,
|
|
Merry springtime's harbinger,
|
|
With her bells dim;
|
|
Oxlips in their cradles growing,
|
|
Marigolds on deathbeds blowing,
|
|
Lark's-heels trim;
|
|
All dear Nature's children sweet
|
|
Lie 'fore bride and bridegroom's feet,
|
|
[Strew flowers.]
|
|
Blessing their sense.
|
|
Not an angel of the air,
|
|
Bird melodious or bird fair,
|
|
Is absent hence.
|
|
The crow, the sland'rous cuckoo, nor
|
|
The boding raven, nor chough hoar,
|
|
Nor chatt'ring pie,
|
|
May on our bridehouse perch or sing,
|
|
Or with them any discord bring,
|
|
But from it fly.
|
|
|
|
[Enter three Queens in black, with veils stained, with
|
|
imperial crowns. The first Queen falls down at the foot
|
|
of Theseus; the second falls down at the foot of
|
|
Hippolyta; the third before Emilia.]
|
|
|
|
|
|
FIRST QUEEN, [to Theseus]
|
|
For pity's sake and true gentility's,
|
|
Hear and respect me.
|
|
|
|
SECOND QUEEN, [to Hippolyta] For your mother's sake,
|
|
And as you wish your womb may thrive with fair
|
|
ones,
|
|
Hear and respect me.
|
|
|
|
THIRD QUEEN, [to Emilia]
|
|
Now for the love of him whom Jove hath marked
|
|
The honor of your bed, and for the sake
|
|
Of clear virginity, be advocate
|
|
For us and our distresses. This good deed
|
|
Shall raze you out o' th' book of trespasses
|
|
All you are set down there.
|
|
|
|
THESEUS, [to First Queen]
|
|
Sad lady, rise.
|
|
|
|
HIPPOLYTA, [to Second Queen] Stand up.
|
|
|
|
EMILIA, [to Third Queen] No knees to me.
|
|
What woman I may stead that is distressed
|
|
Does bind me to her.
|
|
|
|
THESEUS, [to First Queen]
|
|
What's your request? Deliver you for all.
|
|
|
|
FIRST QUEEN
|
|
We are three queens whose sovereigns fell before
|
|
The wrath of cruel Creon; who endured
|
|
The beaks of ravens, talons of the kites,
|
|
And pecks of crows in the foul fields of Thebes.
|
|
He will not suffer us to burn their bones,
|
|
To urn their ashes, nor to take th' offense
|
|
Of mortal loathsomeness from the blest eye
|
|
Of holy Phoebus, but infects the winds
|
|
With stench of our slain lords. O, pity, duke!
|
|
Thou purger of the Earth, draw thy feared sword
|
|
That does good turns to th' world; give us the bones
|
|
Of our dead kings, that we may chapel them;
|
|
And of thy boundless goodness take some note
|
|
That for our crowned heads we have no roof
|
|
Save this, which is the lion's and the bear's,
|
|
And vault to everything.
|
|
|
|
THESEUS Pray you, kneel not.
|
|
I was transported with your speech and suffered
|
|
Your knees to wrong themselves. I have heard the
|
|
fortunes
|
|
Of your dead lords, which gives me such lamenting
|
|
As wakes my vengeance and revenge for 'em.
|
|
King Capaneus was your lord. The day
|
|
That he should marry you, at such a season
|
|
As now it is with me, I met your groom
|
|
By Mars's altar. You were that time fair--
|
|
Not Juno's mantle fairer than your tresses,
|
|
Nor in more bounty spread her. Your wheaten
|
|
wreath
|
|
Was then nor threshed nor blasted. Fortune at you
|
|
Dimpled her cheek with smiles. Hercules, our
|
|
kinsman,
|
|
Then weaker than your eyes, laid by his club;
|
|
He tumbled down upon his Nemean hide
|
|
And swore his sinews thawed. O grief and time,
|
|
Fearful consumers, you will all devour!
|
|
|
|
FIRST QUEEN O, I hope some god,
|
|
Some god hath put his mercy in your manhood,
|
|
Whereto he'll infuse power, and press you forth
|
|
Our undertaker.
|
|
|
|
THESEUS O, no knees, none, widow!
|
|
Unto the helmeted Bellona use them
|
|
And pray for me, your soldier. [The First Queen rises.]
|
|
Troubled I am. [Turns away.]
|
|
|
|
SECOND QUEEN Honored Hippolyta,
|
|
Most dreaded Amazonian, that hast slain
|
|
The scythe-tusked boar; that with thy arm, as strong
|
|
As it is white, wast near to make the male
|
|
To thy sex captive, but that this thy lord,
|
|
Born to uphold creation in that honor
|
|
First nature styled it in, shrunk thee into
|
|
The bound thou wast o'erflowing, at once subduing
|
|
Thy force and thy affection; soldieress
|
|
That equally canst poise sternness with pity,
|
|
Whom now I know hast much more power on him
|
|
Than ever he had on thee, who ow'st his strength
|
|
And his love too, who is a servant for
|
|
The tenor of thy speech, dear glass of ladies,
|
|
Bid him that we, whom flaming war doth scorch,
|
|
Under the shadow of his sword may cool us;
|
|
Require him he advance it o'er our heads;
|
|
Speak 't in a woman's key, like such a woman
|
|
As any of us three; weep ere you fail.
|
|
Lend us a knee;
|
|
But touch the ground for us no longer time
|
|
Than a dove's motion when the head's plucked off.
|
|
Tell him if he i' th' blood-sized field lay swoll'n,
|
|
Showing the sun his teeth, grinning at the moon,
|
|
What you would do.
|
|
|
|
HIPPOLYTA Poor lady, say no more.
|
|
I had as lief trace this good action with you
|
|
As that whereto I am going, and never yet
|
|
Went I so willing way. My lord is taken
|
|
Heart-deep with your distress; let him consider.
|
|
I'll speak anon. [Second Queen rises.]
|
|
|
|
THIRD QUEEN O, my petition was
|
|
Set down in ice, which by hot grief uncandied
|
|
Melts into drops; so sorrow, wanting form,
|
|
Is pressed with deeper matter.
|
|
|
|
EMILIA Pray stand up.
|
|
Your grief is written in your cheek.
|
|
|
|
THIRD QUEEN O, woe!
|
|
You cannot read it there. [She rises.]
|
|
There through my tears,
|
|
Like wrinkled pebbles in a glassy stream,
|
|
You may behold 'em. Lady, lady, alack!
|
|
He that will all the treasure know o' th' Earth
|
|
Must know the center too; he that will fish
|
|
For my least minnow, let him lead his line
|
|
To catch one at my heart. O, pardon me!
|
|
Extremity, that sharpens sundry wits,
|
|
Makes me a fool.
|
|
|
|
EMILIA Pray you say nothing, pray you.
|
|
Who cannot feel nor see the rain, being in 't,
|
|
Knows neither wet nor dry. If that you were
|
|
The groundpiece of some painter, I would buy you
|
|
T' instruct me 'gainst a capital grief--indeed,
|
|
Such heart-pierced demonstration. But, alas,
|
|
Being a natural sister of our sex,
|
|
Your sorrow beats so ardently upon me
|
|
That it shall make a counter-reflect 'gainst
|
|
My brother's heart and warm it to some pity,
|
|
Though it were made of stone. Pray have good
|
|
comfort.
|
|
|
|
THESEUS, [coming forward]
|
|
Forward to th' temple. Leave not out a jot
|
|
O' th' sacred ceremony.
|
|
|
|
FIRST QUEEN O, this celebration
|
|
Will longer last and be more costly than
|
|
Your suppliants' war. Remember that your fame
|
|
Knolls in the ear o' th' world; what you do quickly
|
|
Is not done rashly; your first thought is more
|
|
Than others' labored meditance, your premeditating
|
|
More than their actions. But, O Jove, your actions,
|
|
Soon as they move, as ospreys do the fish,
|
|
Subdue before they touch. Think, dear duke, think
|
|
What beds our slain kings have!
|
|
|
|
SECOND QUEEN What griefs our beds,
|
|
That our dear lords have none!
|
|
|
|
THIRD QUEEN None fit for th' dead.
|
|
Those that with cords, knives, drams, precipitance,
|
|
Weary of this world's light, have to themselves
|
|
Been death's most horrid agents, human grace
|
|
Affords them dust and shadow.
|
|
|
|
FIRST QUEEN But our lords
|
|
Lie blist'ring 'fore the visitating sun,
|
|
And were good kings when living.
|
|
|
|
THESEUS
|
|
It is true, and I will give you comfort
|
|
To give your dead lords graves;
|
|
The which to do must make some work with Creon.
|
|
|
|
FIRST QUEEN
|
|
And that work presents itself to th' doing.
|
|
Now 'twill take form; the heats are gone tomorrow.
|
|
Then, bootless toil must recompense itself
|
|
With its own sweat. Now he's secure,
|
|
Not dreams we stand before your puissance,
|
|
Rinsing our holy begging in our eyes
|
|
To make petition clear.
|
|
|
|
SECOND QUEEN Now you may take him,
|
|
Drunk with his victory.
|
|
|
|
THIRD QUEEN And his army full
|
|
Of bread and sloth.
|
|
|
|
THESEUS Artesius, that best knowest
|
|
How to draw out, fit to this enterprise,
|
|
The prim'st for this proceeding, and the number
|
|
To carry such a business: forth and levy
|
|
Our worthiest instruments, whilst we dispatch
|
|
This grand act of our life, this daring deed
|
|
Of fate in wedlock.
|
|
|
|
FIRST QUEEN, [to Second and Third Queens]
|
|
Dowagers, take hands.
|
|
Let us be widows to our woes. Delay
|
|
Commends us to a famishing hope.
|
|
|
|
ALL THE QUEENS Farewell.
|
|
|
|
SECOND QUEEN
|
|
We come unseasonably; but when could grief
|
|
Cull forth, as unpanged judgment can, fitt'st time
|
|
For best solicitation?
|
|
|
|
THESEUS Why, good ladies,
|
|
This is a service whereto I am going
|
|
Greater than any was; it more imports me
|
|
Than all the actions that I have foregone,
|
|
Or futurely can cope.
|
|
|
|
FIRST QUEEN The more proclaiming
|
|
Our suit shall be neglected when her arms,
|
|
Able to lock Jove from a synod, shall
|
|
By warranting moonlight corselet thee. O, when
|
|
Her twinning cherries shall their sweetness fall
|
|
Upon thy tasteful lips, what wilt thou think
|
|
Of rotten kings or blubbered queens? What care
|
|
For what thou feel'st not, what thou feel'st being
|
|
able
|
|
To make Mars spurn his drum? O, if thou couch
|
|
But one night with her, every hour in 't will
|
|
Take hostage of thee for a hundred, and
|
|
Thou shalt remember nothing more than what
|
|
That banquet bids thee to.
|
|
|
|
HIPPOLYTA, [to Theseus] Though much unlike
|
|
You should be so transported, as much sorry
|
|
I should be such a suitor, yet I think
|
|
Did I not, by th' abstaining of my joy--
|
|
Which breeds a deeper longing--cure their surfeit
|
|
That craves a present med'cine, I should pluck
|
|
All ladies' scandal on me. [She kneels.]
|
|
Therefore, sir,
|
|
As I shall here make trial of my prayers,
|
|
Either presuming them to have some force,
|
|
Or sentencing for aye their vigor dumb,
|
|
Prorogue this business we are going about, and
|
|
hang
|
|
Your shield afore your heart--about that neck
|
|
Which is my fee, and which I freely lend
|
|
To do these poor queens service.
|
|
|
|
ALL QUEENS, [to Emilia] O, help now!
|
|
Our cause cries for your knee.
|
|
|
|
EMILIA, [to Theseus, kneeling] If you grant not
|
|
My sister her petition in that force,
|
|
With that celerity and nature which
|
|
She makes it in, from henceforth I'll not dare
|
|
To ask you anything, nor be so hardy
|
|
Ever to take a husband.
|
|
|
|
THESEUS Pray stand up.
|
|
[Hippolyta and Emilia rise.]
|
|
I am entreating of myself to do
|
|
That which you kneel to have me.--Pirithous,
|
|
Lead on the bride; get you and pray the gods
|
|
For success and return; omit not anything
|
|
In the pretended celebration.--Queens,
|
|
Follow your soldier. [To Artesius.] As before, hence
|
|
you,
|
|
And at the banks of Aulis meet us with
|
|
The forces you can raise, where we shall find
|
|
The moiety of a number for a business
|
|
More bigger looked. [Artesius exits.]
|
|
[To Hippolyta.] Since that our theme is haste,
|
|
I stamp this kiss upon thy currant lip;
|
|
Sweet, keep it as my token.--Set you forward,
|
|
For I will see you gone.
|
|
[The wedding procession begins to exit
|
|
towards the temple.]
|
|
Farewell, my beauteous sister.--Pirithous,
|
|
Keep the feast full; bate not an hour on 't.
|
|
|
|
PIRITHOUS Sir,
|
|
I'll follow you at heels. The feast's solemnity
|
|
Shall want till your return.
|
|
|
|
THESEUS Cousin, I charge you,
|
|
Budge not from Athens. We shall be returning
|
|
Ere you can end this feast, of which I pray you
|
|
Make no abatement.--Once more, farewell all.
|
|
[All but Theseus and the Queens exit.]
|
|
|
|
FIRST QUEEN
|
|
Thus dost thou still make good the tongue o' th'
|
|
world.
|
|
|
|
SECOND QUEEN
|
|
And earn'st a deity equal with Mars.
|
|
|
|
THIRD QUEEN If not above him, for
|
|
Thou, being but mortal, makest affections bend
|
|
To godlike honors; they themselves, some say,
|
|
Groan under such a mast'ry.
|
|
|
|
THESEUS As we are men,
|
|
Thus should we do; being sensually subdued,
|
|
We lose our human title. Good cheer, ladies.
|
|
Now turn we towards your comforts.
|
|
[Flourish. They exit.]
|
|
|
|
Scene 2
|
|
=======
|
|
[Enter Palamon and Arcite.]
|
|
|
|
|
|
ARCITE
|
|
Dear Palamon, dearer in love than blood
|
|
And our prime cousin, yet unhardened in
|
|
The crimes of nature, let us leave the city
|
|
Thebes, and the temptings in 't, before we further
|
|
Sully our gloss of youth,
|
|
And here to keep in abstinence we shame
|
|
As in incontinence; for not to swim
|
|
I' th' aid o' th' current were almost to sink,
|
|
At least to frustrate striving; and to follow
|
|
The common stream, 'twould bring us to an eddy
|
|
Where we should turn or drown; if labor through,
|
|
Our gain but life and weakness.
|
|
|
|
PALAMON Your advice
|
|
Is cried up with example. What strange ruins,
|
|
Since first we went to school, may we perceive
|
|
Walking in Thebes! Scars and bare weeds
|
|
The gain o' th' martialist, who did propound
|
|
To his bold ends honor and golden ingots,
|
|
Which though he won, he had not, and now flirted
|
|
By peace for whom he fought. Who then shall offer
|
|
To Mars's so-scorned altar? I do bleed
|
|
When such I meet, and wish great Juno would
|
|
Resume her ancient fit of jealousy
|
|
To get the soldier work, that peace might purge
|
|
For her repletion, and retain anew
|
|
Her charitable heart, now hard and harsher
|
|
Than strife or war could be.
|
|
|
|
ARCITE Are you not out?
|
|
Meet you no ruin but the soldier in
|
|
The cranks and turns of Thebes? You did begin
|
|
As if you met decays of many kinds.
|
|
Perceive you none that do arouse your pity
|
|
But th' unconsidered soldier?
|
|
|
|
PALAMON Yes, I pity
|
|
Decays where'er I find them, but such most
|
|
That, sweating in an honorable toil,
|
|
Are paid with ice to cool 'em.
|
|
|
|
ARCITE 'Tis not this
|
|
I did begin to speak of. This is virtue
|
|
Of no respect in Thebes. I spake of Thebes--
|
|
How dangerous, if we will keep our honors,
|
|
It is for our residing, where every evil
|
|
Hath a good color; where every seeming good's
|
|
A certain evil; where not to be e'en jump
|
|
As they are here were to be strangers, and,
|
|
Such things to be, mere monsters.
|
|
|
|
PALAMON 'Tis in our power--
|
|
Unless we fear that apes can tutor 's--to
|
|
Be masters of our manners. What need I
|
|
Affect another's gait, which is not catching
|
|
Where there is faith? Or to be fond upon
|
|
Another's way of speech, when by mine own
|
|
I may be reasonably conceived--saved too,
|
|
Speaking it truly? Why am I bound
|
|
By any generous bond to follow him
|
|
Follows his tailor, haply so long until
|
|
The followed make pursuit? Or let me know
|
|
Why mine own barber is unblessed, with him
|
|
My poor chin too, for 'tis not scissored just
|
|
To such a favorite's glass? What canon is there
|
|
That does command my rapier from my hip
|
|
To dangle 't in my hand, or to go tiptoe
|
|
Before the street be foul? Either I am
|
|
The forehorse in the team, or I am none
|
|
That draw i' th' sequent trace. These poor slight
|
|
sores
|
|
Need not a plantain. That which rips my bosom
|
|
Almost to th' heart's--
|
|
|
|
ARCITE Our Uncle Creon.
|
|
|
|
PALAMON He.
|
|
A most unbounded tyrant, whose successes
|
|
Makes heaven unfeared and villainy assured
|
|
Beyond its power there's nothing; almost puts
|
|
Faith in a fever, and deifies alone
|
|
Voluble chance; who only attributes
|
|
The faculties of other instruments
|
|
To his own nerves and act; commands men service,
|
|
And what they win in 't, boot and glory; one
|
|
That fears not to do harm; good, dares not. Let
|
|
The blood of mine that's sib to him be sucked
|
|
From me with leeches; let them break and fall
|
|
Off me with that corruption.
|
|
|
|
ARCITE Clear-spirited cousin,
|
|
Let's leave his court, that we may nothing share
|
|
Of his loud infamy; for our milk
|
|
Will relish of the pasture, and we must
|
|
Be vile or disobedient, not his kinsmen
|
|
In blood unless in quality.
|
|
|
|
PALAMON Nothing truer.
|
|
I think the echoes of his shames have deafed
|
|
The ears of heav'nly justice. Widows' cries
|
|
Descend again into their throats and have not
|
|
Due audience of the gods.
|
|
|
|
[Enter Valerius.]
|
|
|
|
Valerius.
|
|
|
|
VALERIUS
|
|
The King calls for you; yet be leaden-footed
|
|
Till his great rage be off him. Phoebus, when
|
|
He broke his whipstock and exclaimed against
|
|
The horses of the sun, but whispered to
|
|
The loudness of his fury.
|
|
|
|
PALAMON Small winds shake him.
|
|
But what's the matter?
|
|
|
|
VALERIUS
|
|
Theseus, who where he threats appalls, hath sent
|
|
Deadly defiance to him and pronounces
|
|
Ruin to Thebes, who is at hand to seal
|
|
The promise of his wrath.
|
|
|
|
ARCITE Let him approach.
|
|
But that we fear the gods in him, he brings not
|
|
A jot of terror to us. Yet what man
|
|
Thirds his own worth--the case is each of ours--
|
|
When that his action's dregged with mind assured
|
|
'Tis bad he goes about?
|
|
|
|
PALAMON Leave that unreasoned.
|
|
Our services stand now for Thebes, not Creon.
|
|
Yet to be neutral to him were dishonor,
|
|
Rebellious to oppose. Therefore we must
|
|
With him stand to the mercy of our fate,
|
|
Who hath bounded our last minute.
|
|
|
|
ARCITE So we must.
|
|
[To Valerius.] Is 't said this war's afoot? Or, it shall
|
|
be,
|
|
On fail of some condition?
|
|
|
|
VALERIUS 'Tis in motion;
|
|
The intelligence of state came in the instant
|
|
With the defier.
|
|
|
|
PALAMON Let's to the King, who, were he
|
|
A quarter carrier of that honor which
|
|
His enemy come in, the blood we venture
|
|
Should be as for our health, which were not spent,
|
|
Rather laid out for purchase. But alas,
|
|
Our hands advanced before our hearts, what will
|
|
The fall o' th' stroke do damage?
|
|
|
|
ARCITE Let th' event,
|
|
That never-erring arbitrator, tell us
|
|
When we know all ourselves, and let us follow
|
|
The becking of our chance.
|
|
[They exit.]
|
|
|
|
Scene 3
|
|
=======
|
|
[Enter Pirithous, Hippolyta, Emilia.]
|
|
|
|
|
|
PIRITHOUS
|
|
No further.
|
|
|
|
HIPPOLYTA Sir, farewell. Repeat my wishes
|
|
To our great lord, of whose success I dare not
|
|
Make any timorous question; yet I wish him
|
|
Excess and overflow of power, an 't might be,
|
|
To dure ill-dealing fortune. Speed to him.
|
|
Store never hurts good governors.
|
|
|
|
PIRITHOUS Though I know
|
|
His ocean needs not my poor drops, yet they
|
|
Must yield their tribute there.--My precious maid,
|
|
Those best affections that the heavens infuse
|
|
In their best-tempered pieces keep enthroned
|
|
In your dear heart!
|
|
|
|
EMILIA Thanks, sir. Remember me
|
|
To our all-royal brother, for whose speed
|
|
The great Bellona I'll solicit; and
|
|
Since in our terrene state petitions are not
|
|
Without gifts understood, I'll offer to her
|
|
What I shall be advised she likes. Our hearts
|
|
Are in his army, in his tent.
|
|
|
|
HIPPOLYTA In 's bosom.
|
|
We have been soldiers, and we cannot weep
|
|
When our friends don their helms or put to sea,
|
|
Or tell of babes broached on the lance, or women
|
|
That have sod their infants in--and after ate them--
|
|
The brine they wept at killing 'em. Then if
|
|
You stay to see of us such spinsters, we
|
|
Should hold you here forever.
|
|
|
|
PIRITHOUS Peace be to you
|
|
As I pursue this war, which shall be then
|
|
Beyond further requiring. [Pirithous exits.]
|
|
|
|
EMILIA How his longing
|
|
Follows his friend! Since his depart, his sports,
|
|
Though craving seriousness and skill, passed slightly
|
|
His careless execution, where nor gain
|
|
Made him regard, or loss consider, but
|
|
Playing one business in his hand, another
|
|
Directing in his head, his mind nurse equal
|
|
To these so diff'ring twins. Have you observed him
|
|
Since our great lord departed?
|
|
|
|
HIPPOLYTA With much labor,
|
|
And I did love him for 't. They two have cabined
|
|
In many as dangerous as poor a corner,
|
|
Peril and want contending; they have skiffed
|
|
Torrents whose roaring tyranny and power
|
|
I' th' least of these was dreadful, and they have
|
|
Fought out together where Death's self was lodged.
|
|
Yet fate hath brought them off. Their knot of love,
|
|
Tied, weaved, entangled, with so true, so long,
|
|
And with a finger of so deep a cunning,
|
|
May be outworn, never undone. I think
|
|
Theseus cannot be umpire to himself,
|
|
Cleaving his conscience into twain and doing
|
|
Each side like justice, which he loves best.
|
|
|
|
EMILIA Doubtless
|
|
There is a best, and reason has no manners
|
|
To say it is not you. I was acquainted
|
|
Once with a time when I enjoyed a playfellow;
|
|
You were at wars when she the grave enriched,
|
|
Who made too proud the bed; took leave o' th' moon,
|
|
Which then looked pale at parting, when our count
|
|
Was each eleven.
|
|
|
|
HIPPOLYTA 'Twas Flavina.
|
|
|
|
EMILIA Yes.
|
|
You talk of Pirithous' and Theseus' love.
|
|
Theirs has more ground, is more maturely seasoned,
|
|
More buckled with strong judgment, and their needs
|
|
The one of th' other may be said to water
|
|
Their intertangled roots of love. But I,
|
|
And she I sigh and spoke of, were things innocent,
|
|
Loved for we did, and like the elements
|
|
That know not what nor why, yet do effect
|
|
Rare issues by their operance, our souls
|
|
Did so to one another. What she liked
|
|
Was then of me approved, what not, condemned,
|
|
No more arraignment. The flower that I would pluck
|
|
And put between my breasts--O, then but beginning
|
|
To swell about the blossom--she would long
|
|
Till she had such another, and commit it
|
|
To the like innocent cradle, where, Phoenix-like,
|
|
They died in perfume. On my head no toy
|
|
But was her pattern; her affections--pretty,
|
|
Though haply hers careless were--I followed
|
|
For my most serious decking. Had mine ear
|
|
Stol'n some new air, or at adventure hummed one
|
|
From musical coinage, why, it was a note
|
|
Whereon her spirits would sojourn--rather, dwell
|
|
on--
|
|
And sing it in her slumbers. This rehearsal--
|
|
Which fury-innocent wots well comes in
|
|
Like old importment's bastard--has this end,
|
|
That the true love 'tween maid and maid may be
|
|
More than in sex individual.
|
|
|
|
HIPPOLYTA You're out of breath,
|
|
And this high-speeded pace is but to say
|
|
That you shall never--like the maid Flavina--
|
|
Love any that's called man.
|
|
|
|
EMILIA I am sure I shall not.
|
|
|
|
HIPPOLYTA Now, alack, weak sister,
|
|
I must no more believe thee in this point--
|
|
Though in 't I know thou dost believe thyself--
|
|
Than I will trust a sickly appetite,
|
|
That loathes even as it longs. But sure, my sister,
|
|
If I were ripe for your persuasion, you
|
|
Have said enough to shake me from the arm
|
|
Of the all-noble Theseus, for whose fortunes
|
|
I will now in and kneel, with great assurance
|
|
That we, more than his Pirithous, possess
|
|
The high throne in his heart.
|
|
|
|
EMILIA I am not
|
|
Against your faith, yet I continue mine.
|
|
[They exit.]
|
|
|
|
Scene 4
|
|
=======
|
|
[Cornets. A battle struck within; then a retreat.
|
|
Flourish. Then enter, through one door, Theseus,
|
|
victor, accompanied by Lords and Soldiers.
|
|
Entering through another door, the three Queens
|
|
meet him, and fall on their faces before him.]
|
|
|
|
|
|
FIRST QUEEN
|
|
To thee no star be dark!
|
|
|
|
SECOND QUEEN Both heaven and Earth
|
|
Friend thee forever.
|
|
|
|
THIRD QUEEN All the good that may
|
|
Be wished upon thy head, I cry "Amen" to 't!
|
|
|
|
THESEUS
|
|
Th' impartial gods, who from the mounted heavens
|
|
View us their mortal herd, behold who err
|
|
And, in their time, chastise. Go and find out
|
|
The bones of your dead lords and honor them
|
|
With treble ceremony; rather than a gap
|
|
Should be in their dear rites, we would supply 't;
|
|
But those we will depute which shall invest
|
|
You in your dignities and even each thing
|
|
Our haste does leave imperfect. So, adieu,
|
|
And heaven's good eyes look on you. [Queens exit.]
|
|
|
|
[Enter a Herald and Soldiers bearing Palamon
|
|
and Arcite on biers.]
|
|
|
|
What are those?
|
|
|
|
HERALD
|
|
Men of great quality, as may be judged
|
|
By their appointment. Some of Thebes have told 's
|
|
They are sisters' children, nephews to the King.
|
|
|
|
THESEUS
|
|
By th' helm of Mars, I saw them in the war,
|
|
Like to a pair of lions, smeared with prey,
|
|
Make lanes in troops aghast. I fixed my note
|
|
Constantly on them, for they were a mark
|
|
Worth a god's view. What prisoner was 't that told me
|
|
When I enquired their names?
|
|
|
|
HERALD Wi' leave, they're called
|
|
Arcite and Palamon.
|
|
|
|
THESEUS 'Tis right; those, those.
|
|
They are not dead?
|
|
|
|
HERALD
|
|
Nor in a state of life. Had they been taken
|
|
When their last hurts were given, 'twas possible
|
|
They might have been recovered. Yet they breathe
|
|
And have the name of men.
|
|
|
|
THESEUS Then like men use 'em.
|
|
The very lees of such, millions of rates,
|
|
Exceed the wine of others. All our surgeons
|
|
Convent in their behoof; our richest balms,
|
|
Rather than niggard, waste. Their lives concern us
|
|
Much more than Thebes is worth. Rather than have
|
|
'em
|
|
Freed of this plight, and in their morning state,
|
|
Sound and at liberty, I would 'em dead.
|
|
But forty-thousandfold we had rather have 'em
|
|
Prisoners to us than Death. Bear 'em speedily
|
|
From our kind air, to them unkind, and minister
|
|
What man to man may do--for our sake, more,
|
|
Since I have known frights, fury, friends' behests,
|
|
Love's provocations, zeal, a mistress' task,
|
|
Desire of liberty, a fever, madness,
|
|
Hath set a mark which nature could not reach to
|
|
Without some imposition, sickness in will
|
|
O'er-wrestling strength in reason. For our love
|
|
And great Apollo's mercy, all our best
|
|
Their best skill tender.--Lead into the city,
|
|
Where, having bound things scattered, we will post
|
|
To Athens 'fore our army.
|
|
[Flourish. They exit.]
|
|
|
|
Scene 5
|
|
=======
|
|
[Music. Enter the Queens with the hearses of their
|
|
knights, in a funeral solemnity, &c.]
|
|
|
|
The dirge.
|
|
|
|
Urns and odors bring away;
|
|
Vapors, sighs, darken the day;
|
|
Our dole more deadly looks than dying;
|
|
Balms and gums and heavy cheers,
|
|
Sacred vials filled with tears,
|
|
And clamors through the wild air flying.
|
|
Come, all sad and solemn shows
|
|
That are quick-eyed Pleasure's foes;
|
|
We convent naught else but woes.
|
|
We convent naught else but woes.
|
|
|
|
THIRD QUEEN, [to Second Queen]
|
|
This funeral path brings to your household's grave.
|
|
Joy seize on you again; peace sleep with him.
|
|
|
|
SECOND QUEEN, [to First Queen]
|
|
And this to yours.
|
|
|
|
FIRST QUEEN, [to Third Queen] Yours this way. Heavens
|
|
lend
|
|
A thousand differing ways to one sure end.
|
|
|
|
THIRD QUEEN
|
|
This world's a city full of straying streets,
|
|
And death's the market-place where each one meets.
|
|
[They exit severally.]
|
|
|
|
|
|
ACT 2
|
|
=====
|
|
|
|
Scene 1
|
|
=======
|
|
[Enter Jailer and Wooer.]
|
|
|
|
|
|
JAILER I may depart with little while I live; something I
|
|
may cast to you, not much. Alas, the prison I keep,
|
|
though it be for great ones, yet they seldom come;
|
|
before one salmon you shall take a number of minnows.
|
|
I am given out to be better lined than it can
|
|
appear to me report is a true speaker. I would I
|
|
were really that I am delivered to be. Marry, what
|
|
I have, be it what it will, I will assure upon my
|
|
daughter at the day of my death.
|
|
|
|
WOOER Sir, I demand no more than your own offer,
|
|
and I will estate your daughter in what I have
|
|
promised.
|
|
|
|
JAILER Well, we will talk more of this when the solemnity
|
|
is past. But have you a full promise of her?
|
|
When that shall be seen, I tender my consent.
|
|
|
|
[Enter the Jailer's Daughter, carrying rushes.]
|
|
|
|
|
|
WOOER I have sir. Here she comes.
|
|
|
|
JAILER, [to Daughter] Your friend and I have chanced
|
|
to name you here, upon the old business. But no
|
|
more of that now; so soon as the court hurry is
|
|
over, we will have an end of it. I' th' meantime,
|
|
look tenderly to the two prisoners. I can tell you
|
|
they are princes.
|
|
|
|
DAUGHTER These strewings are for their chamber. 'Tis
|
|
pity they are in prison, and 'twere pity they should
|
|
be out. I do think they have patience to make any
|
|
adversity ashamed. The prison itself is proud of
|
|
'em, and they have all the world in their chamber.
|
|
|
|
JAILER They are famed to be a pair of absolute men.
|
|
|
|
DAUGHTER By my troth, I think fame but stammers
|
|
'em. They stand a grise above the reach of report.
|
|
|
|
JAILER I heard them reported in the battle to be the
|
|
only doers.
|
|
|
|
DAUGHTER Nay, most likely, for they are noble suff'rers.
|
|
I marvel how they would have looked had they
|
|
been victors, that with such a constant nobility enforce
|
|
a freedom out of bondage, making misery
|
|
their mirth and affliction a toy to jest at.
|
|
|
|
JAILER Do they so?
|
|
|
|
DAUGHTER It seems to me they have no more sense
|
|
of their captivity than I of ruling Athens. They eat
|
|
well, look merrily, discourse of many things, but
|
|
nothing of their own restraint and disasters. Yet
|
|
sometimes a divided sigh, martyred as 'twere i' th'
|
|
deliverance, will break from one of them--when
|
|
the other presently gives it so sweet a rebuke that
|
|
I could wish myself a sigh to be so chid, or at least
|
|
a sigher to be comforted.
|
|
|
|
WOOER I never saw 'em.
|
|
|
|
JAILER The Duke himself came privately in the night,
|
|
and so did they.
|
|
|
|
[Enter Palamon and Arcite, in shackles, above.]
|
|
|
|
What the reason of it is, I know not. Look, yonder
|
|
they are; that's Arcite looks out.
|
|
|
|
DAUGHTER No, sir, no, that's Palamon. Arcite is the
|
|
lower of the twain; you may perceive a part of
|
|
him.
|
|
|
|
JAILER Go to, leave your pointing; they would not
|
|
make us their object. Out of their sight.
|
|
|
|
DAUGHTER It is a holiday to look on them. Lord, the
|
|
diff'rence of men!
|
|
[Jailer, Daughter, and Wooer exit.]
|
|
|
|
Scene 2
|
|
=======
|
|
[Palamon and Arcite remain, above.]
|
|
|
|
|
|
|
|
PALAMON
|
|
How do you, noble cousin?
|
|
|
|
ARCITE How do you, sir?
|
|
|
|
PALAMON
|
|
Why, strong enough to laugh at misery
|
|
And bear the chance of war; yet we are prisoners
|
|
I fear forever, cousin.
|
|
|
|
ARCITE I believe it,
|
|
And to that destiny have patiently
|
|
Laid up my hour to come.
|
|
|
|
PALAMON O, cousin Arcite,
|
|
Where is Thebes now? Where is our noble country?
|
|
Where are our friends and kindreds? Never more
|
|
Must we behold those comforts, never see
|
|
The hardy youths strive for the games of honor,
|
|
Hung with the painted favors of their ladies,
|
|
Like tall ships under sail; then start amongst 'em
|
|
And as an east wind leave 'em all behind us,
|
|
Like lazy clouds, whilst Palamon and Arcite,
|
|
Even in the wagging of a wanton leg,
|
|
Outstripped the people's praises, won the garlands
|
|
Ere they have time to wish 'em ours. O, never
|
|
Shall we two exercise, like twins of honor,
|
|
Our arms again, and feel our fiery horses
|
|
Like proud seas under us. Our good swords now--
|
|
Better the red-eyed god of war ne'er wore--
|
|
Ravished our sides, like age must run to rust
|
|
And deck the temples of those gods that hate us;
|
|
These hands shall never draw 'em out like lightning
|
|
To blast whole armies more.
|
|
|
|
ARCITE No, Palamon,
|
|
Those hopes are prisoners with us. Here we are
|
|
And here the graces of our youths must wither
|
|
Like a too-timely spring. Here age must find us
|
|
And--which is heaviest, Palamon--unmarried.
|
|
The sweet embraces of a loving wife,
|
|
Loaden with kisses, armed with thousand Cupids,
|
|
Shall never clasp our necks; no issue know us--
|
|
No figures of ourselves shall we e'er see,
|
|
To glad our age, and like young eagles teach 'em
|
|
Boldly to gaze against bright arms and say
|
|
"Remember what your fathers were, and conquer!"
|
|
The fair-eyed maids shall weep our banishments
|
|
And in their songs curse ever-blinded Fortune
|
|
Till she for shame see what a wrong she has done
|
|
To youth and nature. This is all our world.
|
|
We shall know nothing here but one another,
|
|
Hear nothing but the clock that tells our woes.
|
|
The vine shall grow, but we shall never see it;
|
|
Summer shall come, and with her all delights,
|
|
But dead-cold winter must inhabit here still.
|
|
|
|
PALAMON
|
|
'Tis too true, Arcite. To our Theban hounds
|
|
That shook the aged forest with their echoes
|
|
No more now must we halloo; no more shake
|
|
Our pointed javelins whilst the angry swine
|
|
Flies like a Parthian quiver from our rages,
|
|
Struck with our well-steeled darts. All valiant uses,
|
|
The food and nourishment of noble minds,
|
|
In us two here shall perish; we shall die,
|
|
Which is the curse of honor, lastly,
|
|
Children of grief and ignorance.
|
|
|
|
ARCITE Yet, cousin,
|
|
Even from the bottom of these miseries,
|
|
From all that fortune can inflict upon us,
|
|
I see two comforts rising, two mere blessings,
|
|
If the gods please: to hold here a brave patience,
|
|
And the enjoying of our griefs together.
|
|
Whilst Palamon is with me, let me perish
|
|
If I think this our prison!
|
|
|
|
PALAMON Certainly
|
|
'Tis a main goodness, cousin, that our fortunes
|
|
Were twined together. 'Tis most true, two souls
|
|
Put in two noble bodies, let 'em suffer
|
|
The gall of hazard, so they grow together,
|
|
Will never sink; they must not, say they could.
|
|
A willing man dies sleeping and all's done.
|
|
|
|
ARCITE
|
|
Shall we make worthy uses of this place
|
|
That all men hate so much?
|
|
|
|
PALAMON How, gentle cousin?
|
|
|
|
ARCITE
|
|
Let's think this prison holy sanctuary
|
|
To keep us from corruption of worse men.
|
|
We are young and yet desire the ways of honor
|
|
That liberty and common conversation,
|
|
The poison of pure spirits, might like women
|
|
Woo us to wander from. What worthy blessing
|
|
Can be but our imaginations
|
|
May make it ours? And here being thus together,
|
|
We are an endless mine to one another;
|
|
We are one another's wife, ever begetting
|
|
New births of love; we are father, friends,
|
|
acquaintance;
|
|
We are, in one another, families;
|
|
I am your heir, and you are mine. This place
|
|
Is our inheritance; no hard oppressor
|
|
Dare take this from us; here with a little patience
|
|
We shall live long and loving. No surfeits seek us;
|
|
The hand of war hurts none here, nor the seas
|
|
Swallow their youth. Were we at liberty,
|
|
A wife might part us lawfully, or business;
|
|
Quarrels consume us; envy of ill men
|
|
Crave our acquaintance. I might sicken, cousin,
|
|
Where you should never know it, and so perish
|
|
Without your noble hand to close mine eyes,
|
|
Or prayers to the gods. A thousand chances,
|
|
Were we from hence, would sever us.
|
|
|
|
PALAMON You have made
|
|
me--
|
|
I thank you, cousin Arcite--almost wanton
|
|
With my captivity. What a misery
|
|
It is to live abroad and everywhere!
|
|
'Tis like a beast, methinks. I find the court here,
|
|
I am sure, a more content; and all those pleasures
|
|
That woo the wills of men to vanity
|
|
I see through now, and am sufficient
|
|
To tell the world 'tis but a gaudy shadow
|
|
That old Time as he passes by takes with him.
|
|
What had we been, old in the court of Creon,
|
|
Where sin is justice, lust and ignorance
|
|
The virtues of the great ones? Cousin Arcite,
|
|
Had not the loving gods found this place for us,
|
|
We had died as they do, ill old men, unwept,
|
|
And had their epitaphs, the people's curses.
|
|
Shall I say more?
|
|
|
|
ARCITE I would hear you still.
|
|
|
|
PALAMON You shall.
|
|
Is there record of any two that loved
|
|
Better than we do, Arcite?
|
|
|
|
ARCITE Sure there cannot.
|
|
|
|
PALAMON
|
|
I do not think it possible our friendship
|
|
Should ever leave us.
|
|
|
|
ARCITE Till our deaths it cannot.
|
|
|
|
[Enter Emilia and her Woman, below.]
|
|
|
|
And after death our spirits shall be led
|
|
To those that love eternally. [Palamon catches sight
|
|
of Emilia.]
|
|
Speak on, sir.
|
|
|
|
EMILIA, [to her Woman]
|
|
This garden has a world of pleasures in 't.
|
|
What flower is this?
|
|
|
|
WOMAN 'Tis called narcissus, madam.
|
|
|
|
EMILIA
|
|
That was a fair boy certain, but a fool
|
|
To love himself. Were there not maids enough?
|
|
|
|
ARCITE, [to Palamon, who is stunned by the sight of Emilia]
|
|
Pray, forward.
|
|
|
|
PALAMON Yes.
|
|
|
|
EMILIA, [to Woman] Or were they all hard-hearted?
|
|
|
|
WOMAN
|
|
They could not be to one so fair.
|
|
|
|
EMILIA Thou wouldst not.
|
|
|
|
WOMAN
|
|
I think I should not, madam.
|
|
|
|
EMILIA That's a good wench.
|
|
But take heed to your kindness, though.
|
|
|
|
WOMAN Why,
|
|
madam?
|
|
|
|
EMILIA
|
|
Men are mad things.
|
|
|
|
ARCITE, [to Palamon] Will you go forward,
|
|
cousin?
|
|
|
|
EMILIA, [to Woman]
|
|
Canst not thou work such flowers in silk, wench?
|
|
|
|
WOMAN Yes.
|
|
|
|
EMILIA
|
|
I'll have a gown full of 'em, and of these.
|
|
This is pretty color. Will 't not do
|
|
Rarely upon a skirt, wench?
|
|
|
|
WOMAN Dainty, madam.
|
|
|
|
ARCITE, [to Palamon]
|
|
Cousin, cousin! How do you, sir? Why, Palamon!
|
|
|
|
PALAMON
|
|
Never till now I was in prison, Arcite.
|
|
|
|
ARCITE
|
|
Why, what's the matter, man?
|
|
|
|
PALAMON Behold, and wonder!
|
|
By heaven, she is a goddess.
|
|
|
|
ARCITE, [seeing Emilia] Ha!
|
|
|
|
PALAMON Do reverence.
|
|
She is a goddess, Arcite.
|
|
|
|
EMILIA, [to Woman] Of all flowers
|
|
Methinks a rose is best.
|
|
|
|
WOMAN Why, gentle madam?
|
|
|
|
EMILIA
|
|
It is the very emblem of a maid.
|
|
For when the west wind courts her gently,
|
|
How modestly she blows and paints the sun
|
|
With her chaste blushes! When the north comes
|
|
near her,
|
|
Rude and impatient, then, like chastity,
|
|
She locks her beauties in her bud again,
|
|
And leaves him to base briers.
|
|
|
|
WOMAN Yet, good madam,
|
|
Sometimes her modesty will blow so far
|
|
She falls for 't. A maid,
|
|
If she have any honor, would be loath
|
|
To take example by her.
|
|
|
|
EMILIA Thou art wanton!
|
|
|
|
ARCITE, [to Palamon]
|
|
She is wondrous fair.
|
|
|
|
PALAMON She is all the beauty extant.
|
|
|
|
EMILIA, [to Woman]
|
|
The sun grows high. Let's walk in. Keep these
|
|
flowers.
|
|
We'll see how near art can come near their colors.
|
|
I am wondrous merry-hearted. I could laugh now.
|
|
|
|
WOMAN
|
|
I could lie down, I am sure.
|
|
|
|
EMILIA And take one with you?
|
|
|
|
WOMAN
|
|
That's as we bargain, madam.
|
|
|
|
EMILIA Well, agree then.
|
|
[Emilia and Woman exit.]
|
|
|
|
PALAMON
|
|
What think you of this beauty?
|
|
|
|
ARCITE 'Tis a rare one.
|
|
|
|
PALAMON
|
|
Is 't but a rare one?
|
|
|
|
ARCITE Yes, a matchless beauty.
|
|
|
|
PALAMON
|
|
Might not a man well lose himself and love her?
|
|
|
|
ARCITE
|
|
I cannot tell what you have done; I have,
|
|
Beshrew mine eyes for 't! Now I feel my shackles.
|
|
|
|
PALAMON
|
|
You love her, then?
|
|
|
|
ARCITE Who would not?
|
|
|
|
PALAMON And desire her?
|
|
|
|
ARCITE
|
|
Before my liberty.
|
|
|
|
PALAMON I saw her first.
|
|
|
|
ARCITE
|
|
That's nothing.
|
|
|
|
PALAMON But it shall be.
|
|
|
|
ARCITE I saw her, too.
|
|
|
|
PALAMON Yes, but you must not love her.
|
|
|
|
ARCITE
|
|
I will not, as you do, to worship her
|
|
As she is heavenly and a blessed goddess.
|
|
I love her as a woman, to enjoy her.
|
|
So both may love.
|
|
|
|
PALAMON You shall not love at all.
|
|
|
|
ARCITE Not love at all! Who shall deny me?
|
|
|
|
PALAMON
|
|
I, that first saw her; I that took possession
|
|
First with mine eye of all those beauties
|
|
In her revealed to mankind. If thou lov'st her,
|
|
Or entertain'st a hope to blast my wishes,
|
|
Thou art a traitor, Arcite, and a fellow
|
|
False as thy title to her. Friendship, blood,
|
|
And all the ties between us I disclaim
|
|
If thou once think upon her.
|
|
|
|
ARCITE Yes, I love her,
|
|
And, if the lives of all my name lay on it,
|
|
I must do so. I love her with my soul.
|
|
If that will lose you, farewell, Palamon.
|
|
I say again, I love, and in loving her maintain
|
|
I am as worthy and as free a lover
|
|
And have as just a title to her beauty
|
|
As any Palamon or any living
|
|
That is a man's son.
|
|
|
|
PALAMON Have I called thee friend?
|
|
|
|
ARCITE
|
|
Yes, and have found me so. Why are you moved
|
|
thus?
|
|
Let me deal coldly with you: am not I
|
|
Part of your blood, part of your soul? You have
|
|
told me
|
|
That I was Palamon and you were Arcite.
|
|
|
|
PALAMON
|
|
Yes.
|
|
|
|
ARCITE Am not I liable to those affections,
|
|
Those joys, griefs, angers, fears, my friend shall
|
|
suffer?
|
|
|
|
PALAMON
|
|
You may be.
|
|
|
|
ARCITE Why then would you deal so cunningly,
|
|
So strangely, so unlike a noble kinsman,
|
|
To love alone? Speak truly, do you think me
|
|
Unworthy of her sight?
|
|
|
|
PALAMON No, but unjust
|
|
If thou pursue that sight.
|
|
|
|
ARCITE Because another
|
|
First sees the enemy, shall I stand still
|
|
And let mine honor down, and never charge?
|
|
|
|
PALAMON
|
|
Yes, if he be but one.
|
|
|
|
ARCITE But say that one
|
|
Had rather combat me?
|
|
|
|
PALAMON Let that one say so,
|
|
And use thy freedom. Else, if thou pursuest her,
|
|
Be as that cursed man that hates his country,
|
|
A branded villain.
|
|
|
|
ARCITE You are mad.
|
|
|
|
PALAMON I must be.
|
|
Till thou art worthy, Arcite, it concerns me.
|
|
And in this madness if I hazard thee
|
|
And take thy life, I deal but truly.
|
|
|
|
ARCITE Fie, sir!
|
|
You play the child extremely. I will love her;
|
|
I must, I ought to do so, and I dare,
|
|
And all this justly.
|
|
|
|
PALAMON O, that now, that now,
|
|
Thy false self and thy friend had but this fortune
|
|
To be one hour at liberty, and grasp
|
|
Our good swords in our hands, I would quickly
|
|
teach thee
|
|
What 'twere to filch affection from another.
|
|
Thou art baser in it than a cutpurse.
|
|
Put but thy head out of this window more
|
|
And, as I have a soul, I'll nail thy life to 't.
|
|
|
|
ARCITE
|
|
Thou dar'st not, fool; thou canst not; thou art feeble.
|
|
Put my head out? I'll throw my body out
|
|
And leap the garden when I see her next,
|
|
And pitch between her arms to anger thee.
|
|
|
|
[Enter Jailer, above.]
|
|
|
|
|
|
PALAMON
|
|
No more; the keeper's coming. I shall live
|
|
To knock thy brains out with my shackles.
|
|
|
|
ARCITE Do!
|
|
|
|
JAILER
|
|
By your leave, gentlemen.
|
|
|
|
PALAMON Now, honest keeper?
|
|
|
|
JAILER
|
|
Lord Arcite, you must presently to th' Duke;
|
|
The cause I know not yet.
|
|
|
|
ARCITE I am ready, keeper.
|
|
|
|
JAILER
|
|
Prince Palamon, I must awhile bereave you
|
|
Of your fair cousin's company.
|
|
[Arcite and Jailer exit.]
|
|
|
|
PALAMON And me too,
|
|
Even when you please, of life.--Why is he sent for?
|
|
It may be he shall marry her; he's goodly,
|
|
And like enough the Duke hath taken notice
|
|
Both of his blood and body. But his falsehood!
|
|
Why should a friend be treacherous? If that
|
|
Get him a wife so noble and so fair,
|
|
Let honest men ne'er love again. Once more
|
|
I would but see this fair one. Blessed garden
|
|
And fruit and flowers more blessed that still
|
|
blossom
|
|
As her bright eyes shine on you, would I were,
|
|
For all the fortune of my life hereafter,
|
|
Yon little tree, yon blooming apricock!
|
|
How I would spread and fling my wanton arms
|
|
In at her window; I would bring her fruit
|
|
Fit for the gods to feed on; youth and pleasure
|
|
Still as she tasted should be doubled on her;
|
|
And, if she be not heavenly, I would make her
|
|
So near the gods in nature, they should fear her.
|
|
|
|
[Enter Jailer, above.]
|
|
|
|
And then I am sure she would love me.--How now,
|
|
keeper,
|
|
Where's Arcite?
|
|
|
|
JAILER Banished. Prince Pirithous
|
|
Obtained his liberty, but never more
|
|
Upon his oath and life must he set foot
|
|
Upon this kingdom.
|
|
|
|
PALAMON He's a blessed man.
|
|
He shall see Thebes again, and call to arms
|
|
The bold young men that, when he bids 'em charge,
|
|
Fall on like fire. Arcite shall have a fortune,
|
|
If he dare make himself a worthy lover,
|
|
Yet in the field to strike a battle for her,
|
|
And, if he lose her then, he's a cold coward.
|
|
How bravely may he bear himself to win her
|
|
If he be noble Arcite--thousand ways!
|
|
Were I at liberty, I would do things
|
|
Of such a virtuous greatness that this lady,
|
|
This blushing virgin, should take manhood to her
|
|
And seek to ravish me.
|
|
|
|
JAILER My lord, for you
|
|
I have this charge to--
|
|
|
|
PALAMON To discharge my life?
|
|
|
|
JAILER
|
|
No, but from this place to remove your Lordship;
|
|
The windows are too open.
|
|
|
|
PALAMON Devils take 'em
|
|
That are so envious to me! Prithee, kill me.
|
|
|
|
JAILER
|
|
And hang for 't afterward!
|
|
|
|
PALAMON By this good light,
|
|
Had I a sword I would kill thee.
|
|
|
|
JAILER Why, my lord?
|
|
|
|
PALAMON
|
|
Thou bringst such pelting, scurvy news continually,
|
|
Thou art not worthy life. I will not go.
|
|
|
|
JAILER
|
|
Indeed you must, my lord.
|
|
|
|
PALAMON May I see the garden?
|
|
|
|
JAILER
|
|
No.
|
|
|
|
PALAMON Then I am resolved, I will not go.
|
|
|
|
JAILER
|
|
I must constrain you then; and, for you are
|
|
dangerous,
|
|
I'll clap more irons on you.
|
|
|
|
PALAMON Do, good keeper.
|
|
I'll shake 'em so, you shall not sleep;
|
|
I'll make you a new morris. Must I go?
|
|
|
|
JAILER
|
|
There is no remedy.
|
|
|
|
PALAMON Farewell, kind window.
|
|
May rude wind never hurt thee. O, my lady,
|
|
If ever thou hast felt what sorrow was,
|
|
Dream how I suffer.--Come; now bury me.
|
|
[Palamon and Jailer exit.]
|
|
|
|
Scene 3
|
|
=======
|
|
[Enter Arcite.]
|
|
|
|
|
|
ARCITE
|
|
Banished the kingdom? 'Tis a benefit,
|
|
A mercy I must thank 'em for; but banished
|
|
The free enjoying of that face I die for,
|
|
O, 'twas a studied punishment, a death
|
|
Beyond imagination--such a vengeance
|
|
That, were I old and wicked, all my sins
|
|
Could never pluck upon me. Palamon,
|
|
Thou hast the start now; thou shalt stay and see
|
|
Her bright eyes break each morning 'gainst thy
|
|
window
|
|
And let in life into thee; thou shalt feed
|
|
Upon the sweetness of a noble beauty
|
|
That nature ne'er exceeded nor ne'er shall.
|
|
Good gods, what happiness has Palamon!
|
|
Twenty to one he'll come to speak to her,
|
|
And if she be as gentle as she's fair,
|
|
I know she's his. He has a tongue will tame
|
|
Tempests and make the wild rocks wanton.
|
|
Come what can come,
|
|
The worst is death. I will not leave the kingdom.
|
|
I know mine own is but a heap of ruins,
|
|
And no redress there. If I go, he has her.
|
|
I am resolved another shape shall make me
|
|
Or end my fortunes. Either way I am happy.
|
|
I'll see her and be near her, or no more.
|
|
|
|
[Enter four Country people, and one with
|
|
a garland before them.]
|
|
|
|
[Arcite steps aside.]
|
|
|
|
FIRST COUNTRYMAN My masters, I'll be there, that's
|
|
certain.
|
|
|
|
SECOND COUNTRYMAN And I'll be there.
|
|
|
|
THIRD COUNTRYMAN And I.
|
|
|
|
FOURTH COUNTRYMAN Why, then, have with you, boys.
|
|
'Tis but a chiding. Let the plough play today; I'll
|
|
tickle 't out of the jades' tails tomorrow.
|
|
|
|
FIRST COUNTRYMAN I am sure to have my wife as jealous
|
|
as a turkey, but that's all one. I'll go through;
|
|
let her mumble.
|
|
|
|
SECOND COUNTRYMAN Clap her aboard tomorrow night
|
|
and stow her, and all's made up again.
|
|
|
|
THIRD COUNTRYMAN Ay, do but put a fescue in her fist
|
|
and you shall see her take a new lesson out and be
|
|
a good wench. Do we all hold against the Maying?
|
|
|
|
FOURTH COUNTRYMAN Hold? What should ail us?
|
|
|
|
THIRD COUNTRYMAN Arcas will be there.
|
|
|
|
SECOND COUNTRYMAN And Sennois and Rycas; and
|
|
three better lads ne'er danced under green tree.
|
|
And you know what wenches, ha! But will the
|
|
dainty domine, the Schoolmaster, keep touch, do
|
|
you think? For he does all, you know.
|
|
|
|
THIRD COUNTRYMAN He'll eat a hornbook ere he fail.
|
|
Go to, the matter's too far driven between him and
|
|
the tanner's daughter to let slip now; and she must
|
|
see the Duke, and she must dance too.
|
|
|
|
FOURTH COUNTRYMAN Shall we be lusty?
|
|
|
|
SECOND COUNTRYMAN All the boys in Athens blow wind
|
|
i' th' breech on 's. And here I'll be and there I'll be,
|
|
for our town, and here again, and there again. Ha,
|
|
boys, hey for the weavers!
|
|
|
|
FIRST COUNTRYMAN This must be done i' th' woods.
|
|
|
|
FOURTH COUNTRYMAN O pardon me.
|
|
|
|
SECOND COUNTRYMAN By any means; our thing of learning
|
|
says so--where he himself will edify the Duke
|
|
most parlously in our behalfs. He's excellent i' th'
|
|
woods; bring him to th' plains, his learning makes
|
|
no cry.
|
|
|
|
THIRD COUNTRYMAN We'll see the sports, then every
|
|
man to 's tackle. And, sweet companions, let's rehearse,
|
|
by any means, before the ladies see us, and
|
|
do sweetly, and God knows what may come on 't.
|
|
|
|
FOURTH COUNTRYMAN Content. The sports once ended,
|
|
we'll perform. Away, boys, and hold.
|
|
[Arcite comes forward.]
|
|
|
|
ARCITE By your leaves, honest friends: pray you,
|
|
whither go you?
|
|
|
|
FOURTH COUNTRYMAN Whither?
|
|
Why, what a question's that?
|
|
|
|
ARCITE Yes, 'tis a question
|
|
To me that know not.
|
|
|
|
THIRD COUNTRYMAN To the games, my friend.
|
|
|
|
SECOND COUNTRYMAN
|
|
Where were you bred, you know it not?
|
|
|
|
ARCITE Not far, sir.
|
|
Are there such games today?
|
|
|
|
FIRST COUNTRYMAN Yes, marry, are there,
|
|
And such as you never saw. The Duke himself
|
|
Will be in person there.
|
|
|
|
ARCITE What pastimes are they?
|
|
|
|
SECOND COUNTRYMAN
|
|
Wrestling and running.--'Tis a pretty fellow.
|
|
|
|
THIRD COUNTRYMAN
|
|
Thou wilt not go along?
|
|
|
|
ARCITE Not yet, sir.
|
|
|
|
FOURTH COUNTRYMAN Well, sir,
|
|
Take your own time.--Come, boys.
|
|
|
|
FIRST COUNTRYMAN, [aside to the others] My mind misgives
|
|
me. This fellow has a vengeance trick o' th'
|
|
hip. Mark how his body's made for 't.
|
|
|
|
SECOND COUNTRYMAN, [aside to the others] I'll be
|
|
hanged, though, if he dare venture. Hang him,
|
|
plum porridge! He wrestle? He roast eggs! Come,
|
|
let's be gone, lads. [The four exit.]
|
|
|
|
ARCITE
|
|
This is an offered opportunity
|
|
I durst not wish for. Well I could have wrestled--
|
|
The best men called it excellent--and run
|
|
Swifter than wind upon a field of corn,
|
|
Curling the wealthy ears, never flew. I'll venture,
|
|
And in some poor disguise be there. Who knows
|
|
Whether my brows may not be girt with garlands,
|
|
And happiness prefer me to a place
|
|
Where I may ever dwell in sight of her?
|
|
[Arcite exits.]
|
|
|
|
Scene 4
|
|
=======
|
|
[Enter Jailer's Daughter, alone.]
|
|
|
|
|
|
DAUGHTER
|
|
Why should I love this gentleman? 'Tis odds
|
|
He never will affect me. I am base,
|
|
My father the mean keeper of his prison,
|
|
And he a prince. To marry him is hopeless;
|
|
To be his whore is witless. Out upon 't!
|
|
What pushes are we wenches driven to
|
|
When fifteen once has found us! First, I saw him;
|
|
I, seeing, thought he was a goodly man;
|
|
He has as much to please a woman in him,
|
|
If he please to bestow it so, as ever
|
|
These eyes yet looked on. Next, I pitied him,
|
|
And so would any young wench, o' my conscience,
|
|
That ever dreamed, or vowed her maidenhead
|
|
To a young handsome man. Then I loved him,
|
|
Extremely loved him, infinitely loved him!
|
|
And yet he had a cousin, fair as he too.
|
|
But in my heart was Palamon, and there,
|
|
Lord, what a coil he keeps! To hear him
|
|
Sing in an evening, what a heaven it is!
|
|
And yet his songs are sad ones. Fairer spoken
|
|
Was never gentleman. When I come in
|
|
To bring him water in a morning, first
|
|
He bows his noble body, then salutes me thus:
|
|
"Fair, gentle maid, good morrow. May thy goodness
|
|
Get thee a happy husband." Once he kissed me;
|
|
I loved my lips the better ten days after.
|
|
Would he would do so ev'ry day! He grieves much--
|
|
And me as much to see his misery.
|
|
What should I do to make him know I love him?
|
|
For I would fain enjoy him. Say I ventured
|
|
To set him free? What says the law then?
|
|
Thus much for law or kindred! I will do it,
|
|
And this night, or tomorrow, he shall love me.
|
|
[She exits.]
|
|
|
|
Scene 5
|
|
=======
|
|
[This short flourish of cornets and shouts within.
|
|
Enter Theseus, Hippolyta, Pirithous, Emilia, Arcite
|
|
in disguise, with a garland, Attendants, and others.]
|
|
|
|
|
|
THESEUS, [to Arcite]
|
|
You have done worthily. I have not seen,
|
|
Since Hercules, a man of tougher sinews.
|
|
Whate'er you are, you run the best and wrestle
|
|
That these times can allow.
|
|
|
|
ARCITE I am proud to please you.
|
|
|
|
THESEUS
|
|
What country bred you?
|
|
|
|
ARCITE This; but far off, prince.
|
|
|
|
THESEUS
|
|
Are you a gentleman?
|
|
|
|
ARCITE My father said so,
|
|
And to those gentle uses gave me life.
|
|
|
|
THESEUS
|
|
Are you his heir?
|
|
|
|
ARCITE His youngest, sir.
|
|
|
|
THESEUS Your father,
|
|
Sure, is a happy sire, then. What proves you?
|
|
|
|
ARCITE
|
|
A little of all noble qualities.
|
|
I could have kept a hawk and well have hallowed
|
|
To a deep cry of dogs. I dare not praise
|
|
My feat in horsemanship, yet they that knew me
|
|
Would say it was my best piece. Last, and greatest,
|
|
I would be thought a soldier.
|
|
|
|
THESEUS You are perfect.
|
|
|
|
PIRITHOUS
|
|
Upon my soul, a proper man.
|
|
|
|
EMILIA He is so.
|
|
|
|
PIRITHOUS, [to Hippolyta]
|
|
How do you like him, lady?
|
|
|
|
HIPPOLYTA I admire him.
|
|
I have not seen so young a man so noble,
|
|
If he say true, of his sort.
|
|
|
|
EMILIA Believe,
|
|
His mother was a wondrous handsome woman;
|
|
His face, methinks, goes that way.
|
|
|
|
HIPPOLYTA But his body
|
|
And fiery mind illustrate a brave father.
|
|
|
|
PIRITHOUS
|
|
Mark how his virtue, like a hidden sun,
|
|
Breaks through his baser garments.
|
|
|
|
HIPPOLYTA He's well got, sure.
|
|
|
|
THESEUS, [to Arcite]
|
|
What made you seek this place, sir?
|
|
|
|
ARCITE Noble Theseus,
|
|
To purchase name and do my ablest service
|
|
To such a well-found wonder as thy worth;
|
|
For only in thy court, of all the world,
|
|
Dwells fair-eyed Honor.
|
|
|
|
PIRITHOUS All his words are worthy.
|
|
|
|
THESEUS
|
|
Sir, we are much indebted to your travel,
|
|
Nor shall you lose your wish.--Pirithous,
|
|
Dispose of this fair gentleman.
|
|
|
|
PIRITHOUS Thanks, Theseus.--
|
|
Whate'er you are, you're mine, and I shall give you
|
|
To a most noble service: to this lady,
|
|
This bright young virgin.
|
|
[He brings Arcite to Emilia.]
|
|
Pray observe her goodness;
|
|
You have honored her fair birthday with your
|
|
virtues,
|
|
And, as your due, you're hers. Kiss her fair hand, sir.
|
|
|
|
ARCITE
|
|
Sir, you're a noble giver.--Dearest beauty,
|
|
Thus let me seal my vowed faith.
|
|
[He kisses her hand.]
|
|
When your servant,
|
|
Your most unworthy creature, but offends you,
|
|
Command him die, he shall.
|
|
|
|
EMILIA That were too cruel.
|
|
If you deserve well, sir, I shall soon see 't.
|
|
You're mine, and somewhat better than your rank
|
|
I'll use you.
|
|
|
|
PIRITHOUS, [to Arcite]
|
|
I'll see you furnished, and because you say
|
|
You are a horseman, I must needs entreat you
|
|
This afternoon to ride--but 'tis a rough one.
|
|
|
|
ARCITE
|
|
I like him better, prince; I shall not then
|
|
Freeze in my saddle.
|
|
|
|
THESEUS, [to Hippolyta] Sweet, you must be ready,--
|
|
And you, Emilia,--and you, friend,--and all,
|
|
Tomorrow by the sun, to do observance
|
|
To flowery May in Dian's wood.--Wait well, sir,
|
|
Upon your mistress.--Emily, I hope
|
|
He shall not go afoot.
|
|
|
|
EMILIA That were a shame, sir,
|
|
While I have horses.--Take your choice, and what
|
|
You want at any time, let me but know it.
|
|
If you serve faithfully, I dare assure you
|
|
You'll find a loving mistress.
|
|
|
|
ARCITE If I do not,
|
|
Let me find that my father ever hated,
|
|
Disgrace and blows.
|
|
|
|
THESEUS Go lead the way; you have won it.
|
|
It shall be so; you shall receive all dues
|
|
Fit for the honor you have won. 'Twere wrong else.--
|
|
Sister, beshrew my heart, you have a servant
|
|
That, if I were a woman, would be master;
|
|
But you are wise.
|
|
|
|
EMILIA I hope too wise for that, sir.
|
|
[Flourish. They all exit.]
|
|
|
|
Scene 6
|
|
=======
|
|
[Enter Jailer's Daughter alone.]
|
|
|
|
|
|
DAUGHTER
|
|
Let all the dukes and all the devils roar!
|
|
He is at liberty. I have ventured for him,
|
|
And out I have brought him; to a little wood
|
|
A mile hence I have sent him, where a cedar
|
|
Higher than all the rest spreads like a plane
|
|
Fast by a brook, and there he shall keep close
|
|
Till I provide him files and food, for yet
|
|
His iron bracelets are not off. O Love,
|
|
What a stout-hearted child thou art! My father
|
|
Durst better have endured cold iron than done it.
|
|
I love him beyond love and beyond reason
|
|
Or wit or safety. I have made him know it;
|
|
I care not, I am desperate. If the law
|
|
Find me and then condemn me for 't, some wenches,
|
|
Some honest-hearted maids, will sing my dirge
|
|
And tell to memory my death was noble,
|
|
Dying almost a martyr. That way he takes
|
|
I purpose is my way too. Sure he cannot
|
|
Be so unmanly as to leave me here.
|
|
If he do, maids will not so easily
|
|
Trust men again. And yet he has not thanked me
|
|
For what I have done; no, not so much as kissed me,
|
|
And that, methinks, is not so well; nor scarcely
|
|
Could I persuade him to become a free man,
|
|
He made such scruples of the wrong he did
|
|
To me and to my father. Yet I hope,
|
|
When he considers more, this love of mine
|
|
Will take more root within him. Let him do
|
|
What he will with me, so he use me kindly;
|
|
For use me so he shall, or I'll proclaim him,
|
|
And to his face, no man. I'll presently
|
|
Provide him necessaries and pack my clothes up,
|
|
And where there is a path of ground I'll venture,
|
|
So he be with me. By him like a shadow
|
|
I'll ever dwell. Within this hour the hubbub
|
|
Will be all o'er the prison. I am then
|
|
Kissing the man they look for. Farewell, father!
|
|
Get many more such prisoners and such daughters,
|
|
And shortly you may keep yourself. Now to him.
|
|
[She exits.]
|
|
|
|
|
|
ACT 3
|
|
=====
|
|
|
|
Scene 1
|
|
=======
|
|
[Cornets in sundry places. Noise and hallowing
|
|
as people a-Maying. Enter Arcite alone.]
|
|
|
|
|
|
ARCITE
|
|
The Duke has lost Hippolyta; each took
|
|
A several laund. This is a solemn rite
|
|
They owe bloomed May, and the Athenians pay it
|
|
To th' heart of ceremony. O Queen Emilia,
|
|
Fresher than May, sweeter
|
|
Than her gold buttons on the boughs, or all
|
|
Th' enameled knacks o' th' mead or garden--yea,
|
|
We challenge too the bank of any nymph
|
|
That makes the stream seem flowers; thou, O jewel
|
|
O' th' wood, o' th' world, hast likewise blessed a pace
|
|
With thy sole presence. In thy rumination
|
|
That I, poor man, might eftsoons come between
|
|
And chop on some cold thought! Thrice blessed
|
|
chance
|
|
To drop on such a mistress, expectation
|
|
Most guiltless on 't. Tell me, O Lady Fortune,
|
|
Next after Emily my sovereign, how far
|
|
I may be proud. She takes strong note of me,
|
|
Hath made me near her; and this beauteous morn,
|
|
The prim'st of all the year, presents me with
|
|
A brace of horses; two such steeds might well
|
|
Be by a pair of kings backed, in a field
|
|
That their crowns' titles tried. Alas, alas,
|
|
Poor cousin Palamon, poor prisoner, thou
|
|
So little dream'st upon my fortune that
|
|
Thou think'st thyself the happier thing, to be
|
|
So near Emilia; me thou deem'st at Thebes,
|
|
And therein wretched, although free. But if
|
|
Thou knew'st my mistress breathed on me, and that
|
|
I eared her language, lived in her eye--O coz,
|
|
What passion would enclose thee!
|
|
|
|
[Enter Palamon as out of a bush, with his shackles;
|
|
he bends his fist at Arcite.]
|
|
|
|
|
|
PALAMON Traitor kinsman,
|
|
Thou shouldst perceive my passion if these signs
|
|
Of prisonment were off me, and this hand
|
|
But owner of a sword. By all oaths in one,
|
|
I and the justice of my love would make thee
|
|
A confessed traitor, O thou most perfidious
|
|
That ever gently looked, the void'st of honor
|
|
That e'er bore gentle token, falsest cousin
|
|
That ever blood made kin! Call'st thou her thine?
|
|
I'll prove it in my shackles, with these hands,
|
|
Void of appointment, that thou liest, and art
|
|
A very thief in love, a chaffy lord,
|
|
Nor worth the name of villain. Had I a sword,
|
|
And these house clogs away--
|
|
|
|
ARCITE Dear cousin Palamon--
|
|
|
|
PALAMON
|
|
Cozener Arcite, give me language such
|
|
As thou hast showed me feat.
|
|
|
|
ARCITE Not finding in
|
|
The circuit of my breast any gross stuff
|
|
To form me like your blazon holds me to
|
|
This gentleness of answer: 'tis your passion
|
|
That thus mistakes, the which, to you being enemy,
|
|
Cannot to me be kind. Honor and honesty
|
|
I cherish and depend on, howsoe'er
|
|
You skip them in me, and with them, fair coz,
|
|
I'll maintain my proceedings. Pray be pleased
|
|
To show in generous terms your griefs, since that
|
|
Your question's with your equal, who professes
|
|
To clear his own way with the mind and sword
|
|
Of a true gentleman.
|
|
|
|
PALAMON That thou durst, Arcite!
|
|
|
|
ARCITE
|
|
My coz, my coz, you have been well advertised
|
|
How much I dare; you've seen me use my sword
|
|
Against th' advice of fear. Sure, of another
|
|
You would not hear me doubted, but your silence
|
|
Should break out, though i' th' sanctuary.
|
|
|
|
PALAMON Sir,
|
|
I have seen you move in such a place which well
|
|
Might justify your manhood; you were called
|
|
A good knight and a bold. But the whole week's not
|
|
fair
|
|
If any day it rain; their valiant temper
|
|
Men lose when they incline to treachery,
|
|
And then they fight like compelled bears--would fly
|
|
Were they not tied.
|
|
|
|
ARCITE Kinsman, you might as well
|
|
Speak this and act it in your glass as to
|
|
His ear which now disdains you.
|
|
|
|
PALAMON Come up to me;
|
|
Quit me of these cold gyves, give me a sword
|
|
Though it be rusty, and the charity
|
|
Of one meal lend me. Come before me then,
|
|
A good sword in thy hand, and do but say
|
|
That Emily is thine, I will forgive
|
|
The trespass thou hast done me--yea, my life,
|
|
If then thou carry 't; and brave souls in shades
|
|
That have died manly, which will seek of me
|
|
Some news from Earth, they shall get none but this:
|
|
That thou art brave and noble.
|
|
|
|
ARCITE Be content.
|
|
Again betake you to your hawthorn house.
|
|
With counsel of the night I will be here
|
|
With wholesome viands. These impediments
|
|
Will I file off. You shall have garments and
|
|
Perfumes to kill the smell o' th' prison. After,
|
|
When you shall stretch yourself and say but "Arcite,
|
|
I am in plight," there shall be at your choice
|
|
Both sword and armor.
|
|
|
|
PALAMON O you heavens, dares any
|
|
So noble bear a guilty business? None
|
|
But only Arcite. Therefore none but Arcite
|
|
In this kind is so bold.
|
|
|
|
ARCITE Sweet Palamon.
|
|
|
|
PALAMON
|
|
I do embrace you and your offer; for
|
|
Your offer do 't I only. Sir, your person
|
|
Without hypocrisy I may not wish
|
|
More than my sword's edge on 't.
|
|
[Wind horns off; sound cornets.]
|
|
|
|
ARCITE You hear the horns.
|
|
Enter your muset, lest this match between 's
|
|
Be crossed ere met. Give me your hand; farewell.
|
|
I'll bring you every needful thing. I pray you,
|
|
Take comfort and be strong.
|
|
|
|
PALAMON Pray hold your promise,
|
|
And do the deed with a bent brow. Most certain
|
|
You love me not; be rough with me, and pour
|
|
This oil out of your language. By this air,
|
|
I could for each word give a cuff, my stomach
|
|
Not reconciled by reason.
|
|
|
|
ARCITE Plainly spoken,
|
|
Yet pardon me hard language. When I spur
|
|
My horse, I chide him not; content and anger
|
|
In me have but one face. [Wind horns.]
|
|
Hark, sir, they call
|
|
The scattered to the banquet; you must guess
|
|
I have an office there.
|
|
|
|
PALAMON Sir, your attendance
|
|
Cannot please heaven, and I know your office
|
|
Unjustly is achieved.
|
|
|
|
ARCITE 'Tis a good title.
|
|
I am persuaded this question, sick between 's,
|
|
By bleeding must be cured. I am a suitor
|
|
That to your sword you will bequeath this plea,
|
|
And talk of it no more.
|
|
|
|
PALAMON But this one word:
|
|
You are going now to gaze upon my mistress,
|
|
For note you, mine she is--
|
|
|
|
ARCITE Nay then,--
|
|
|
|
PALAMON Nay, pray you,
|
|
You talk of feeding me to breed me strength.
|
|
You are going now to look upon a sun
|
|
That strengthens what it looks on; there
|
|
You have a vantage o'er me, but enjoy 't till
|
|
I may enforce my remedy. Farewell.
|
|
[They exit.]
|
|
|
|
Scene 2
|
|
=======
|
|
[Enter Jailer's Daughter, alone.]
|
|
|
|
|
|
DAUGHTER
|
|
He has mistook the brake I meant, is gone
|
|
After his fancy. 'Tis now well-nigh morning.
|
|
No matter; would it were perpetual night,
|
|
And darkness lord o' th' world. Hark, 'tis a wolf!
|
|
In me hath grief slain fear, and but for one thing,
|
|
I care for nothing, and that's Palamon.
|
|
I reck not if the wolves would jaw me, so
|
|
He had this file. What if I hallowed for him?
|
|
I cannot hallow. If I whooped, what then?
|
|
If he not answered, I should call a wolf,
|
|
And do him but that service. I have heard
|
|
Strange howls this livelong night; why may 't not be
|
|
They have made prey of him? He has no weapons;
|
|
He cannot run; the jingling of his gyves
|
|
Might call fell things to listen, who have in them
|
|
A sense to know a man unarmed and can
|
|
Smell where resistance is. I'll set it down
|
|
He's torn to pieces; they howled many together,
|
|
And then they fed on him; so much for that.
|
|
Be bold to ring the bell. How stand I then?
|
|
All's chared when he is gone. No, no, I lie.
|
|
My father's to be hanged for his escape;
|
|
Myself to beg, if I prized life so much
|
|
As to deny my act, but that I would not,
|
|
Should I try death by dozens. I am moped;
|
|
Food took I none these two days;
|
|
Sipped some water. I have not closed mine eyes
|
|
Save when my lids scoured off their brine. Alas,
|
|
Dissolve, my life! Let not my sense unsettle,
|
|
Lest I should drown, or stab, or hang myself.
|
|
O state of nature, fail together in me,
|
|
Since thy best props are warped! So, which way now?
|
|
The best way is the next way to a grave;
|
|
Each errant step beside is torment. Lo,
|
|
The moon is down, the crickets chirp, the screech
|
|
owl
|
|
Calls in the dawn. All offices are done
|
|
Save what I fail in. But the point is this--
|
|
An end, and that is all.
|
|
[She exits.]
|
|
|
|
Scene 3
|
|
=======
|
|
[Enter Arcite with meat, wine, and files.]
|
|
|
|
|
|
ARCITE
|
|
I should be near the place.--Ho! Cousin Palamon!
|
|
|
|
PALAMON, [within]
|
|
Arcite?
|
|
|
|
ARCITE The same. I have brought you food and files.
|
|
Come forth and fear not; here's no Theseus.
|
|
|
|
[Enter Palamon.]
|
|
|
|
|
|
PALAMON
|
|
Nor none so honest, Arcite.
|
|
|
|
ARCITE That's no matter.
|
|
We'll argue that hereafter. Come, take courage;
|
|
You shall not die thus beastly. Here, sir, drink--
|
|
I know you are faint--then I'll talk further with you.
|
|
|
|
PALAMON
|
|
Arcite, thou mightst now poison me.
|
|
|
|
ARCITE I might;
|
|
But I must fear you first. Sit down and, good now,
|
|
No more of these vain parleys. Let us not,
|
|
Having our ancient reputation with us,
|
|
Make talk for fools and cowards. To your health.
|
|
[He drinks.]
|
|
|
|
PALAMON Do!
|
|
|
|
ARCITE
|
|
Pray sit down, then, and let me entreat you,
|
|
By all the honesty and honor in you,
|
|
No mention of this woman; 'twill disturb us.
|
|
We shall have time enough.
|
|
|
|
PALAMON Well, sir, I'll pledge you.
|
|
[He drinks.]
|
|
|
|
ARCITE
|
|
Drink a good hearty draught; it breeds good blood,
|
|
man.
|
|
Do not you feel it thaw you?
|
|
|
|
PALAMON Stay, I'll tell you
|
|
After a draught or two more.
|
|
|
|
ARCITE Spare it not.
|
|
The Duke has more, coz. Eat now.
|
|
|
|
PALAMON Yes. [He eats.]
|
|
|
|
ARCITE I am glad
|
|
You have so good a stomach.
|
|
|
|
PALAMON I am gladder
|
|
I have so good meat to 't.
|
|
|
|
ARCITE Is 't not mad lodging
|
|
Here in the wild woods, cousin?
|
|
|
|
PALAMON Yes, for them
|
|
That have wild consciences.
|
|
|
|
ARCITE How tastes your
|
|
victuals?
|
|
Your hunger needs no sauce, I see.
|
|
|
|
PALAMON Not much.
|
|
But if it did, yours is too tart, sweet cousin.
|
|
What is this?
|
|
|
|
ARCITE Venison.
|
|
|
|
PALAMON 'Tis a lusty meat.
|
|
Give me more wine. Here, Arcite, to the wenches
|
|
We have known in our days!
|
|
[He raises his cup in a toast.]
|
|
The Lord Steward's
|
|
daughter!
|
|
Do you remember her?
|
|
|
|
ARCITE After you, coz.
|
|
|
|
PALAMON
|
|
She loved a black-haired man.
|
|
|
|
ARCITE She did so; well, sir?
|
|
|
|
PALAMON
|
|
And I have heard some call him Arcite, and--
|
|
|
|
ARCITE
|
|
Out with 't, faith.
|
|
|
|
PALAMON She met him in an arbor.
|
|
What did she there, coz? Play o' th' virginals?
|
|
|
|
ARCITE
|
|
Something she did, sir.
|
|
|
|
PALAMON Made her groan a month
|
|
for 't--
|
|
Or two, or three, or ten.
|
|
|
|
ARCITE The Marshal's sister
|
|
Had her share, too, as I remember, cousin,
|
|
Else there be tales abroad. You'll pledge her?
|
|
|
|
PALAMON Yes.
|
|
[He lifts his cup and then drinks.]
|
|
|
|
ARCITE
|
|
A pretty brown wench 'tis. There was a time
|
|
When young men went a-hunting, and a wood,
|
|
And a broad beech--and thereby hangs a tale.
|
|
Heigh ho!
|
|
|
|
PALAMON For Emily, upon my life! Fool,
|
|
Away with this strained mirth. I say again
|
|
That sigh was breathed for Emily. Base cousin,
|
|
Dar'st thou break first?
|
|
|
|
ARCITE You are wide.
|
|
|
|
PALAMON By heaven and
|
|
Earth,
|
|
There's nothing in thee honest.
|
|
|
|
ARCITE Then I'll leave you.
|
|
You are a beast now.
|
|
|
|
PALAMON As thou mak'st me, traitor.
|
|
|
|
ARCITE
|
|
There's all things needful: files and shirts and
|
|
perfumes.
|
|
I'll come again some two hours hence and bring
|
|
That that shall quiet all.
|
|
|
|
PALAMON A sword and armor.
|
|
|
|
ARCITE
|
|
Fear me not. You are now too foul. Farewell.
|
|
Get off your trinkets; you shall want naught.
|
|
|
|
PALAMON Sirrah--
|
|
|
|
ARCITE
|
|
I'll hear no more.
|
|
[He exits.]
|
|
|
|
PALAMON If he keep touch, he dies for 't.
|
|
[He exits.]
|
|
|
|
Scene 4
|
|
=======
|
|
[Enter Jailer's Daughter.]
|
|
|
|
|
|
DAUGHTER
|
|
I am very cold, and all the stars are out too,
|
|
The little stars and all, that look like aglets.
|
|
The sun has seen my folly.--Palamon!
|
|
Alas, no; he's in heaven. Where am I now?
|
|
Yonder's the sea, and there's a ship. How 't tumbles!
|
|
And there's a rock lies watching under water.
|
|
Now, now, it beats upon it; now, now, now,
|
|
There's a leak sprung, a sound one! How they cry!
|
|
Open her before the wind; you'll lose all else.
|
|
Up with a course or two, and tack about, boys!
|
|
Good night, good night; you're gone. I am very
|
|
hungry.
|
|
Would I could find a fine frog; he would tell me
|
|
News from all parts o' th' world; then would I make
|
|
A carrack of a cockleshell, and sail
|
|
By east and northeast to the king of pygmies,
|
|
For he tells fortunes rarely. Now my father,
|
|
Twenty to one, is trussed up in a trice
|
|
Tomorrow morning. I'll say never a word.
|
|
[Sing.]
|
|
For I'll cut my green coat a foot above my knee,
|
|
And I'll clip my yellow locks an inch below mine
|
|
eye.
|
|
Hey nonny, nonny, nonny.
|
|
He's buy me a white cut, forth for to ride,
|
|
And I'll go seek him through the world that is so
|
|
wide.
|
|
Hey nonny, nonny, nonny.
|
|
O, for a prick now, like a nightingale,
|
|
To put my breast against. I shall sleep like a top else.
|
|
[She exits.]
|
|
|
|
Scene 5
|
|
=======
|
|
[Enter a Schoolmaster and six Countrymen,
|
|
one dressed as a Bavian.]
|
|
|
|
|
|
SCHOOLMASTER Fie, fie, what tediosity and disinsanity
|
|
is here among you! Have my rudiments been labored
|
|
so long with you, milked unto you, and, by a
|
|
figure, even the very plum broth and marrow of
|
|
my understanding laid upon you, and do you still
|
|
cry "Where?" and "How?" and "Wherefore?" You
|
|
most coarse-frieze capacities, you jean judgments,
|
|
have I said "Thus let be" and "There let be"
|
|
and "Then let be" and no man understand me? Proh
|
|
deum, medius fidius, you are all dunces! Forwhy,
|
|
here stand I; here the Duke comes; there are you,
|
|
close in the thicket; the Duke appears; I meet him
|
|
and unto him I utter learned things and many figures;
|
|
he hears, and nods, and hums, and then cries
|
|
"Rare!" and I go forward. At length I fling my cap
|
|
up--mark there! Then do you as once did Meleager
|
|
and the boar--break comely out before him;
|
|
like true lovers, cast yourselves in a body decently,
|
|
and sweetly, by a figure, trace and turn, boys.
|
|
|
|
FIRST COUNTRYMAN And sweetly we will do it, Master
|
|
Gerald.
|
|
|
|
SECOND COUNTRYMAN Draw up the company. Where's
|
|
the taborer?
|
|
|
|
THIRD COUNTRYMAN Why, Timothy!
|
|
|
|
[Enter the Taborer.]
|
|
|
|
|
|
TABORER Here, my mad boys. Have at you!
|
|
|
|
SCHOOLMASTER But I say, where's their women?
|
|
|
|
[Enter five Wenches.]
|
|
|
|
|
|
FOURTH COUNTRYMAN Here's Fritz and Maudlin.
|
|
|
|
SECOND COUNTRYMAN And little Luce with the white
|
|
legs, and bouncing Barbary.
|
|
|
|
FIRST COUNTRYMAN And freckled Nell, that never failed
|
|
her master.
|
|
|
|
SCHOOLMASTER Where be your ribbons, maids? Swim
|
|
with your bodies, and carry it sweetly and deliverly,
|
|
and now and then a favor and a frisk.
|
|
|
|
NELL Let us alone, sir.
|
|
|
|
SCHOOLMASTER Where's the rest o' th' music?
|
|
|
|
THIRD COUNTRYMAN Dispersed, as you commanded.
|
|
|
|
SCHOOLMASTER Couple, then, and see what's wanting.
|
|
Where's the Bavian?--My friend, carry your tail
|
|
without offense or scandal to the ladies; and be
|
|
sure you tumble with audacity and manhood, and
|
|
when you bark, do it with judgment.
|
|
|
|
BAVIAN Yes, sir.
|
|
|
|
SCHOOLMASTER Quo usque tandem? Here is a woman
|
|
wanting.
|
|
|
|
FOURTH COUNTRYMAN We may go whistle; all the fat's i'
|
|
th' fire.
|
|
|
|
SCHOOLMASTER We have, as learned authors utter,
|
|
washed a tile; we have been fatuus and labored
|
|
vainly.
|
|
|
|
SECOND COUNTRYMAN This is that scornful piece, that
|
|
scurvy hilding that gave her promise faithfully she
|
|
would be here--Cicely, the sempster's daughter.
|
|
The next gloves that I give her shall be dogskin;
|
|
nay, an she fail me once--you can tell, Arcas, she
|
|
swore by wine and bread she would not break.
|
|
|
|
SCHOOLMASTER An eel and woman, a learned poet
|
|
says, unless by th' tail and with thy teeth thou hold,
|
|
will either fail. In manners, this was false
|
|
position.
|
|
|
|
FIRST COUNTRYMAN A fire ill take her! Does she flinch
|
|
now?
|
|
|
|
THIRD COUNTRYMAN What shall we determine, sir?
|
|
|
|
SCHOOLMASTER Nothing. Our business is become a
|
|
nullity, yea, and a woeful and a piteous nullity.
|
|
|
|
FOURTH COUNTRYMAN Now, when the credit of our town
|
|
lay on it, now to be frampold, now to piss o' th'
|
|
nettle! Go thy ways; I'll remember thee. I'll fit
|
|
thee!
|
|
|
|
[Enter Jailer's Daughter.]
|
|
|
|
|
|
DAUGHTER, [sings]
|
|
The George Alow came from the south,
|
|
From the coast of Barbary-a,
|
|
And there he met with brave gallants of war,
|
|
By one, by two, by three-a.
|
|
"Well hailed, well hailed, you jolly gallants,
|
|
And whither now are you bound-a?
|
|
O, let me have your company
|
|
Till I come to the sound-a."
|
|
There was three fools, fell out about an owlet--
|
|
[Sings] The one he said it was an owl,
|
|
The other he said nay,
|
|
The third he said it was a hawk,
|
|
And her bells were cut away.
|
|
|
|
THIRD COUNTRYMAN There's a dainty madwoman, master,
|
|
comes i' th' nick, as mad as a March hare. If we
|
|
can get her dance, we are made again. I warrant
|
|
her, she'll do the rarest gambols.
|
|
|
|
FIRST COUNTRYMAN A madwoman? We are made, boys.
|
|
|
|
SCHOOLMASTER, [to Jailer's Daughter] And are you mad,
|
|
good woman?
|
|
|
|
DAUGHTER I would be sorry else. Give me your hand.
|
|
|
|
SCHOOLMASTER Why?
|
|
|
|
DAUGHTER I can tell your fortune. [She looks at his
|
|
hand.] You are a fool. Tell ten.--I have posed him.
|
|
Buzz!--Friend, you must eat no white bread; if
|
|
you do, your teeth will bleed extremely. Shall we
|
|
dance, ho? I know you, you're a tinker. Sirrah tinker,
|
|
stop no more holes but what you should.
|
|
|
|
SCHOOLMASTER Dii boni! A tinker, damsel?
|
|
|
|
DAUGHTER Or a conjurer. Raise me a devil now, and let
|
|
him play Chi passa o' th' bells and bones.
|
|
|
|
SCHOOLMASTER Go, take her, and fluently persuade her
|
|
to a peace. Et opus exegi, quod nec Iovis ira, nec
|
|
ignis. Strike up, and lead her in.
|
|
|
|
SECOND COUNTRYMAN Come, lass, let's trip it.
|
|
|
|
DAUGHTER I'll lead.
|
|
|
|
THIRD COUNTRYMAN Do, do!
|
|
|
|
SCHOOLMASTER Persuasively, and cunningly.
|
|
[Wind horns.]
|
|
Away, boys! I hear the horns. Give me some
|
|
meditation, and mark your cue.
|
|
[All but Schoolmaster exit.]
|
|
Pallas, inspire me!
|
|
|
|
[Enter Theseus, Pirithous, Hippolyta, Emilia, and train.]
|
|
|
|
|
|
THESEUS This way the stag took.
|
|
|
|
SCHOOLMASTER Stay, and edify!
|
|
|
|
THESEUS What have we here?
|
|
|
|
PIRITHOUS Some country sport, upon my life, sir.
|
|
|
|
THESEUS, [to Schoolmaster] Well, sir, go forward. We
|
|
will "edify." [Chairs and stools brought out.]
|
|
Ladies, sit down. We'll stay it.
|
|
[Theseus, Hippolyta, and Emilia sit.]
|
|
|
|
SCHOOLMASTER
|
|
Thou doughty duke, all hail!--All hail, sweet ladies!
|
|
|
|
THESEUS, [aside] This is a cold beginning.
|
|
|
|
SCHOOLMASTER
|
|
If you but favor, our country pastime made is.
|
|
We are a few of those collected here
|
|
That ruder tongues distinguish "villager."
|
|
And to say verity, and not to fable,
|
|
We are a merry rout, or else a rabble,
|
|
Or company, or by a figure, chorus,
|
|
That 'fore thy dignity will dance a morris.
|
|
And I that am the rectifier of all,
|
|
By title pedagogus, that let fall
|
|
The birch upon the breeches of the small ones,
|
|
And humble with a ferula the tall ones,
|
|
Do here present this machine, or this frame.
|
|
And, dainty duke, whose doughty dismal fame
|
|
From Dis to Daedalus, from post to pillar,
|
|
Is blown abroad, help me, thy poor well-willer,
|
|
And with thy twinkling eyes look right and straight
|
|
Upon this mighty "Morr," of mickle weight--
|
|
"Is" now comes in, which being glued together
|
|
Makes "Morris," and the cause that we came hither.
|
|
The body of our sport, of no small study,
|
|
I first appear, though rude, and raw, and muddy,
|
|
To speak before thy noble grace this tenner,
|
|
At whose great feet I offer up my penner.
|
|
The next, the Lord of May and Lady bright,
|
|
The Chambermaid and Servingman by night
|
|
That seek out silent hanging; then mine Host
|
|
And his fat Spouse, that welcomes to their cost
|
|
The galled traveler, and with a beck'ning
|
|
Informs the tapster to inflame the reck'ning;
|
|
Then the beest-eating Clown; and next the Fool,
|
|
The Bavian with long tail and eke long tool,
|
|
Cum multis aliis that make a dance;
|
|
Say "ay," and all shall presently advance.
|
|
|
|
THESEUS
|
|
Ay, ay, by any means, dear Domine.
|
|
|
|
PIRITHOUS Produce!
|
|
|
|
SCHOOLMASTER
|
|
Intrate, filii. Come forth and foot it.
|
|
|
|
[Music. Enter the Countrymen, Countrywomen, and
|
|
Jailer's Daughter; they perform a morris dance.]
|
|
|
|
|
|
SCHOOLMASTER
|
|
Ladies, if we have been merry
|
|
And have pleased ye with a derry,
|
|
And a derry and a down,
|
|
Say the Schoolmaster's no clown.--
|
|
Duke, if we have pleased thee too
|
|
And have done as good boys should do,
|
|
Give us but a tree or twain
|
|
For a Maypole, and again,
|
|
Ere another year run out,
|
|
We'll make thee laugh, and all this rout.
|
|
|
|
THESEUS
|
|
Take twenty, Domine.--How does my sweetheart?
|
|
|
|
HIPPOLYTA
|
|
Never so pleased, sir.
|
|
|
|
EMILIA 'Twas an excellent dance,
|
|
And, for a preface, I never heard a better.
|
|
|
|
THESEUS
|
|
Schoolmaster, I thank you.--One see 'em all
|
|
rewarded. [An Attendant gives money.]
|
|
|
|
PIRITHOUS
|
|
And here's something to paint your pole withal.
|
|
[He gives money.]
|
|
|
|
THESEUS Now to our sports again.
|
|
|
|
SCHOOLMASTER
|
|
May the stag thou hunt'st stand long,
|
|
And thy dogs be swift and strong;
|
|
May they kill him without lets,
|
|
And the ladies eat his dowsets.
|
|
[Wind horns within. Theseus, Hippolyta,
|
|
Emilia, Pirithous, and Train exit.]
|
|
Come, we are all made. Dii deaeque omnes,
|
|
You have danced rarely, wenches.
|
|
[They exit.]
|
|
|
|
Scene 6
|
|
=======
|
|
[Enter Palamon from the bush.]
|
|
|
|
|
|
PALAMON
|
|
About this hour my cousin gave his faith
|
|
To visit me again, and with him bring
|
|
Two swords and two good armors. If he fail,
|
|
He's neither man nor soldier. When he left me,
|
|
I did not think a week could have restored
|
|
My lost strength to me, I was grown so low
|
|
And crestfall'n with my wants. I thank thee, Arcite,
|
|
Thou art yet a fair foe, and I feel myself,
|
|
With this refreshing, able once again
|
|
To outdure danger. To delay it longer
|
|
Would make the world think, when it comes to
|
|
hearing,
|
|
That I lay fatting like a swine to fight
|
|
And not a soldier. Therefore, this blest morning
|
|
Shall be the last; and that sword he refuses,
|
|
If it but hold, I kill him with. 'Tis justice.
|
|
So, love and fortune for me!
|
|
|
|
[Enter Arcite with armors and swords.]
|
|
|
|
O, good morrow.
|
|
|
|
ARCITE
|
|
Good morrow, noble kinsman.
|
|
|
|
PALAMON I have put you
|
|
To too much pains, sir.
|
|
|
|
ARCITE That too much, fair cousin,
|
|
Is but a debt to honor and my duty.
|
|
|
|
PALAMON
|
|
Would you were so in all, sir; I could wish you
|
|
As kind a kinsman as you force me find
|
|
A beneficial foe, that my embraces
|
|
Might thank you, not my blows.
|
|
|
|
ARCITE I shall think either,
|
|
Well done, a noble recompense.
|
|
|
|
PALAMON Then I shall quit you.
|
|
|
|
ARCITE
|
|
Defy me in these fair terms, and you show
|
|
More than a mistress to me. No more anger,
|
|
As you love anything that's honorable!
|
|
We were not bred to talk, man; when we are armed
|
|
And both upon our guards, then let our fury,
|
|
Like meeting of two tides, fly strongly from us,
|
|
And then to whom the birthright of this beauty
|
|
Truly pertains--without upbraidings, scorns,
|
|
Despisings of our persons, and such poutings,
|
|
Fitter for girls and schoolboys--will be seen,
|
|
And quickly, yours or mine. Will 't please you arm,
|
|
sir?
|
|
Or if you feel yourself not fitting yet
|
|
And furnished with your old strength, I'll stay,
|
|
cousin,
|
|
And ev'ry day discourse you into health,
|
|
As I am spared. Your person I am friends with,
|
|
And I could wish I had not said I loved her,
|
|
Though I had died. But loving such a lady,
|
|
And justifying my love, I must not fly from 't.
|
|
|
|
PALAMON
|
|
Arcite, thou art so brave an enemy
|
|
That no man but thy cousin's fit to kill thee.
|
|
I am well and lusty. Choose your arms.
|
|
|
|
ARCITE Choose you, sir.
|
|
|
|
PALAMON
|
|
Wilt thou exceed in all, or dost thou do it
|
|
To make me spare thee?
|
|
|
|
ARCITE If you think so, cousin,
|
|
You are deceived, for as I am a soldier,
|
|
I will not spare you.
|
|
|
|
PALAMON That's well said.
|
|
|
|
ARCITE You'll find it.
|
|
|
|
PALAMON
|
|
Then, as I am an honest man and love
|
|
With all the justice of affection,
|
|
I'll pay thee soundly. [He chooses armor.]
|
|
This I'll take.
|
|
|
|
ARCITE [taking the other] That's mine, then.
|
|
I'll arm you first.
|
|
|
|
PALAMON Do. [Arcite begins arming him.]
|
|
Pray thee tell me, cousin,
|
|
Where got'st thou this good armor?
|
|
|
|
ARCITE 'Tis the Duke's,
|
|
And to say true, I stole it. Do I pinch you?
|
|
|
|
PALAMON No.
|
|
|
|
ARCITE
|
|
Is 't not too heavy?
|
|
|
|
PALAMON I have worn a lighter,
|
|
But I shall make it serve.
|
|
|
|
ARCITE I'll buckle 't close.
|
|
|
|
PALAMON
|
|
By any means.
|
|
|
|
ARCITE You care not for a grand guard?
|
|
|
|
PALAMON
|
|
No, no, we'll use no horses. I perceive
|
|
You would fain be at that fight.
|
|
|
|
ARCITE I am indifferent.
|
|
|
|
PALAMON
|
|
Faith, so am I. Good cousin, thrust the buckle
|
|
Through far enough.
|
|
|
|
ARCITE I warrant you.
|
|
|
|
PALAMON My casque now.
|
|
|
|
ARCITE
|
|
Will you fight bare-armed?
|
|
|
|
PALAMON We shall be the nimbler.
|
|
|
|
ARCITE
|
|
But use your gauntlets though. Those are o' th' least.
|
|
Prithee take mine, good cousin.
|
|
|
|
PALAMON Thank you, Arcite.
|
|
How do I look? Am I fall'n much away?
|
|
|
|
ARCITE
|
|
Faith, very little; love has used you kindly.
|
|
|
|
PALAMON
|
|
I'll warrant thee, I'll strike home.
|
|
|
|
ARCITE Do, and spare not.
|
|
I'll give you cause, sweet cousin.
|
|
|
|
PALAMON Now to you, sir.
|
|
[He begins to arm Arcite.]
|
|
Methinks this armor's very like that, Arcite,
|
|
Thou wor'st that day the three kings fell, but lighter.
|
|
|
|
ARCITE
|
|
That was a very good one, and that day,
|
|
I well remember, you outdid me, cousin.
|
|
I never saw such valor. When you charged
|
|
Upon the left wing of the enemy,
|
|
I spurred hard to come up, and under me
|
|
I had a right good horse.
|
|
|
|
PALAMON You had, indeed;
|
|
A bright bay, I remember.
|
|
|
|
ARCITE Yes, but all
|
|
Was vainly labored in me; you outwent me,
|
|
Nor could my wishes reach you; yet a little
|
|
I did by imitation.
|
|
|
|
PALAMON More by virtue;
|
|
You are modest, cousin.
|
|
|
|
ARCITE When I saw you charge first,
|
|
Methought I heard a dreadful clap of thunder
|
|
Break from the troop.
|
|
|
|
PALAMON But still before that flew
|
|
The lightning of your valor. Stay a little;
|
|
Is not this piece too strait?
|
|
|
|
ARCITE No, no, 'tis well.
|
|
|
|
PALAMON
|
|
I would have nothing hurt thee but my sword.
|
|
A bruise would be dishonor.
|
|
|
|
ARCITE Now I am perfect.
|
|
|
|
PALAMON
|
|
Stand off, then.
|
|
|
|
ARCITE Take my sword; I hold it better.
|
|
|
|
PALAMON
|
|
I thank you, no; keep it; your life lies on it.
|
|
Here's one; if it but hold, I ask no more
|
|
For all my hopes. My cause and honor guard me!
|
|
|
|
ARCITE
|
|
And me my love!
|
|
[They bow several ways, then advance and stand.]
|
|
Is there aught else to say?
|
|
|
|
PALAMON
|
|
This only, and no more: thou art mine aunt's son.
|
|
And that blood we desire to shed is mutual--
|
|
In me thine, and in thee mine. My sword
|
|
Is in my hand, and if thou kill'st me,
|
|
The gods and I forgive thee. If there be
|
|
A place prepared for those that sleep in honor,
|
|
I wish his weary soul that falls may win it.
|
|
Fight bravely, cousin. Give me thy noble hand.
|
|
|
|
ARCITE, [as they shake hands]
|
|
Here, Palamon. This hand shall never more
|
|
Come near thee with such friendship.
|
|
|
|
PALAMON I commend thee.
|
|
|
|
ARCITE
|
|
If I fall, curse me, and say I was a coward,
|
|
For none but such dare die in these just trials.
|
|
Once more farewell, my cousin.
|
|
|
|
PALAMON Farewell, Arcite.
|
|
[Fight.]
|
|
[Horns within. They stand.]
|
|
|
|
ARCITE
|
|
Lo, cousin, lo, our folly has undone us!
|
|
|
|
PALAMON Why?
|
|
|
|
ARCITE
|
|
This is the Duke, a-hunting, as I told you.
|
|
If we be found, we are wretched. O, retire,
|
|
For honor's sake, and safely, presently
|
|
Into your bush again. Sir, we shall find
|
|
Too many hours to die in. Gentle cousin,
|
|
If you be seen, you perish instantly
|
|
For breaking prison, and I, if you reveal me,
|
|
For my contempt. Then all the world will scorn us,
|
|
And say we had a noble difference,
|
|
But base disposers of it.
|
|
|
|
PALAMON No, no, cousin,
|
|
I will no more be hidden, nor put off
|
|
This great adventure to a second trial.
|
|
I know your cunning, and I know your cause.
|
|
He that faints now, shame take him! Put thyself
|
|
Upon thy present guard--
|
|
|
|
ARCITE You are not mad?
|
|
|
|
PALAMON
|
|
Or I will make th' advantage of this hour
|
|
Mine own, and what to come shall threaten me
|
|
I fear less than my fortune. Know, weak cousin,
|
|
I love Emilia, and in that I'll bury
|
|
Thee and all crosses else.
|
|
|
|
ARCITE Then come what can come,
|
|
Thou shalt know, Palamon, I dare as well
|
|
Die as discourse or sleep. Only this fears me:
|
|
The law will have the honor of our ends.
|
|
Have at thy life!
|
|
|
|
PALAMON Look to thine own well, Arcite.
|
|
[Fight again.]
|
|
|
|
[Horns. Enter Theseus, Hippolyta, Emilia,
|
|
Pirithous and train.]
|
|
|
|
|
|
THESEUS
|
|
What ignorant and mad malicious traitors
|
|
Are you, that 'gainst the tenor of my laws
|
|
Are making battle, thus like knights appointed,
|
|
Without my leave and officers of arms?
|
|
By Castor, both shall die.
|
|
|
|
PALAMON Hold thy word, Theseus.
|
|
We are certainly both traitors, both despisers
|
|
Of thee and of thy goodness. I am Palamon,
|
|
That cannot love thee, he that broke thy prison.
|
|
Think well what that deserves. And this is Arcite.
|
|
A bolder traitor never trod thy ground,
|
|
A falser ne'er seemed friend. This is the man
|
|
Was begged and banished; this is he contemns thee
|
|
And what thou dar'st do; and in this disguise,
|
|
Against thine own edict, follows thy sister,
|
|
That fortunate bright star, the fair Emilia,
|
|
Whose servant--if there be a right in seeing
|
|
And first bequeathing of the soul to--justly
|
|
I am; and, which is more, dares think her his.
|
|
This treachery, like a most trusty lover,
|
|
I called him now to answer. If thou be'st
|
|
As thou art spoken, great and virtuous,
|
|
The true decider of all injuries,
|
|
Say "Fight again," and thou shalt see me, Theseus,
|
|
Do such a justice thou thyself wilt envy.
|
|
Then take my life; I'll woo thee to 't.
|
|
|
|
PIRITHOUS O heaven,
|
|
What more than man is this!
|
|
|
|
THESEUS I have sworn.
|
|
|
|
ARCITE We seek not
|
|
Thy breath of mercy, Theseus. 'Tis to me
|
|
A thing as soon to die as thee to say it,
|
|
And no more moved. Where this man calls me
|
|
traitor,
|
|
Let me say thus much: if in love be treason,
|
|
In service of so excellent a beauty,
|
|
As I love most, and in that faith will perish,
|
|
As I have brought my life here to confirm it,
|
|
As I have served her truest, worthiest,
|
|
As I dare kill this cousin that denies it,
|
|
So let me be most traitor, and you please me.
|
|
For scorning thy edict, duke, ask that lady
|
|
Why she is fair, and why her eyes command me
|
|
Stay here to love her; and if she say "traitor,"
|
|
I am a villain fit to lie unburied.
|
|
|
|
PALAMON
|
|
Thou shalt have pity of us both, O Theseus,
|
|
If unto neither thou show mercy. Stop,
|
|
As thou art just, thy noble ear against us;
|
|
As thou art valiant, for thy cousin's soul,
|
|
Whose twelve strong labors crown his memory,
|
|
Let's die together at one instant, duke;
|
|
Only a little let him fall before me,
|
|
That I may tell my soul he shall not have her.
|
|
|
|
THESEUS
|
|
I grant your wish, for to say true, your cousin
|
|
Has ten times more offended, for I gave him
|
|
More mercy than you found, sir, your offenses
|
|
Being no more than his.--None here speak for 'em,
|
|
For ere the sun set both shall sleep forever.
|
|
|
|
HIPPOLYTA
|
|
Alas, the pity! Now or never, sister,
|
|
Speak not to be denied. That face of yours
|
|
Will bear the curses else of after ages
|
|
For these lost cousins.
|
|
|
|
EMILIA In my face, dear sister,
|
|
I find no anger to 'em, nor no ruin.
|
|
The misadventure of their own eyes kill 'em.
|
|
Yet that I will be woman and have pity,
|
|
My knees shall grow to th' ground but I'll get mercy.
|
|
[She kneels.]
|
|
Help me, dear sister; in a deed so virtuous,
|
|
The powers of all women will be with us.
|
|
[Hippolyta kneels.]
|
|
Most royal brother--
|
|
|
|
HIPPOLYTA Sir, by our tie of marriage--
|
|
|
|
EMILIA
|
|
By your own spotless honor--
|
|
|
|
HIPPOLYTA By that faith,
|
|
That fair hand, and that honest heart you gave me--
|
|
|
|
EMILIA
|
|
By that you would have pity in another;
|
|
By your own virtues infinite--
|
|
|
|
HIPPOLYTA By valor;
|
|
By all the chaste nights I have ever pleased you--
|
|
|
|
THESEUS
|
|
These are strange conjurings.
|
|
|
|
PIRITHOUS Nay, then, I'll in too.
|
|
[He kneels.]
|
|
By all our friendship, sir, by all our dangers;
|
|
By all you love most, wars and this sweet lady--
|
|
|
|
EMILIA
|
|
By that you would have trembled to deny
|
|
A blushing maid--
|
|
|
|
HIPPOLYTA By your own eyes; by strength,
|
|
In which you swore I went beyond all women,
|
|
Almost all men, and yet I yielded, Theseus--
|
|
|
|
PIRITHOUS
|
|
To crown all this: by your most noble soul,
|
|
Which cannot want due mercy, I beg first--
|
|
|
|
HIPPOLYTA
|
|
Next hear my prayers--
|
|
|
|
EMILIA Last let me entreat, sir--
|
|
|
|
PIRITHOUS
|
|
For mercy.
|
|
|
|
HIPPOLYTA Mercy.
|
|
|
|
EMILIA Mercy on these princes.
|
|
|
|
THESEUS
|
|
You make my faith reel. [(To Emilia.)] Say I felt
|
|
Compassion to 'em both, how would you place it?
|
|
[They rise from their knees.]
|
|
|
|
EMILIA
|
|
Upon their lives, but with their banishments.
|
|
|
|
THESEUS
|
|
You are a right woman, sister: you have pity,
|
|
But want the understanding where to use it.
|
|
If you desire their lives, invent a way
|
|
Safer than banishment. Can these two live,
|
|
And have the agony of love about 'em,
|
|
And not kill one another? Every day
|
|
They'd fight about you, hourly bring your honor
|
|
In public question with their swords. Be wise, then,
|
|
And here forget 'em; it concerns your credit
|
|
And my oath equally. I have said they die.
|
|
Better they fall by th' law than one another.
|
|
Bow not my honor.
|
|
|
|
EMILIA O, my noble brother,
|
|
That oath was rashly made, and in your anger;
|
|
Your reason will not hold it. If such vows
|
|
Stand for express will, all the world must perish.
|
|
Besides, I have another oath 'gainst yours,
|
|
Of more authority, I am sure more love,
|
|
Not made in passion neither, but good heed.
|
|
|
|
THESEUS
|
|
What is it, sister?
|
|
|
|
PIRITHOUS Urge it home, brave lady.
|
|
|
|
EMILIA
|
|
That you would ne'er deny me anything
|
|
Fit for my modest suit and your free granting.
|
|
I tie you to your word now; if you fail in 't,
|
|
Think how you maim your honor--
|
|
For now I am set a-begging, sir, I am deaf
|
|
To all but your compassion--how their lives
|
|
Might breed the ruin of my name. Opinion!
|
|
Shall anything that loves me perish for me?
|
|
That were a cruel wisdom. Do men prune
|
|
The straight young boughs that blush with thousand
|
|
blossoms
|
|
Because they may be rotten? O, Duke Theseus,
|
|
The goodly mothers that have groaned for these,
|
|
And all the longing maids that ever loved,
|
|
If your vow stand, shall curse me and my beauty,
|
|
And in their funeral songs for these two cousins
|
|
Despise my cruelty, and cry woe worth me,
|
|
Till I am nothing but the scorn of women.
|
|
For heaven's sake, save their lives, and banish 'em.
|
|
|
|
THESEUS
|
|
On what conditions?
|
|
|
|
EMILIA Swear 'em never more
|
|
To make me their contention, or to know me,
|
|
To tread upon thy dukedom, and to be,
|
|
Wherever they shall travel, ever strangers
|
|
To one another.
|
|
|
|
PALAMON I'll be cut a-pieces
|
|
Before I take this oath! Forget I love her?
|
|
O, all you gods, despise me then! Thy banishment
|
|
I not mislike, so we may fairly carry
|
|
Our swords and cause along; else never trifle,
|
|
But take our lives, duke. I must love, and will,
|
|
And for that love must and dare kill this cousin
|
|
On any piece the Earth has.
|
|
|
|
THESEUS Will you, Arcite,
|
|
Take these conditions?
|
|
|
|
PALAMON He's a villain, then.
|
|
|
|
PIRITHOUS These are men!
|
|
|
|
ARCITE
|
|
No, never, duke. 'Tis worse to me than begging
|
|
To take my life so basely; though I think
|
|
I never shall enjoy her, yet I'll preserve
|
|
The honor of affection, and die for her,
|
|
Make death a devil!
|
|
|
|
THESEUS
|
|
What may be done? For now I feel compassion.
|
|
|
|
PIRITHOUS
|
|
Let it not fall again, sir.
|
|
|
|
THESEUS Say, Emilia,
|
|
If one of them were dead, as one must, are you
|
|
Content to take th' other to your husband?
|
|
They cannot both enjoy you. They are princes
|
|
As goodly as your own eyes, and as noble
|
|
As ever fame yet spoke of. Look upon 'em,
|
|
And, if you can love, end this difference.
|
|
I give consent.--Are you content too, princes?
|
|
|
|
BOTH
|
|
With all our souls.
|
|
|
|
THESEUS He that she refuses
|
|
Must die then.
|
|
|
|
BOTH Any death thou canst invent, duke.
|
|
|
|
PALAMON
|
|
If I fall from that mouth, I fall with favor,
|
|
And lovers yet unborn shall bless my ashes.
|
|
|
|
ARCITE
|
|
If she refuse me, yet my grave will wed me,
|
|
And soldiers sing my epitaph.
|
|
|
|
THESEUS, [to Emilia] Make choice, then.
|
|
|
|
EMILIA
|
|
I cannot, sir; they are both too excellent.
|
|
For me, a hair shall never fall of these men.
|
|
|
|
HIPPOLYTA
|
|
What will become of 'em?
|
|
|
|
THESEUS Thus I ordain it--
|
|
And, by mine honor, once again, it stands,
|
|
Or both shall die: you shall both to your country,
|
|
And each within this month, accompanied
|
|
With three fair knights, appear again in this place,
|
|
In which I'll plant a pyramid; and whether,
|
|
Before us that are here, can force his cousin
|
|
By fair and knightly strength to touch the pillar,
|
|
He shall enjoy her; the other lose his head,
|
|
And all his friends; nor shall he grudge to fall,
|
|
Nor think he dies with interest in this lady.
|
|
Will this content you?
|
|
|
|
PALAMON Yes.--Here, Cousin Arcite,
|
|
I am friends again till that hour. [He offers his hand.]
|
|
|
|
ARCITE I embrace you.
|
|
[They shake hands.]
|
|
|
|
THESEUS
|
|
Are you content, sister?
|
|
|
|
EMILIA Yes, I must, sir,
|
|
Else both miscarry.
|
|
|
|
THESEUS, [to Palamon and Arcite]
|
|
Come, shake hands again, then,
|
|
And take heed, as you are gentlemen, this quarrel
|
|
Sleep till the hour prefixed, and hold your course.
|
|
|
|
PALAMON
|
|
We dare not fail thee, Theseus.
|
|
[They shake hands again.]
|
|
|
|
THESEUS Come, I'll give you
|
|
Now usage like to princes and to friends.
|
|
When you return, who wins I'll settle here;
|
|
Who loses, yet I'll weep upon his bier.
|
|
[They exit.]
|
|
|
|
|
|
ACT 4
|
|
=====
|
|
|
|
Scene 1
|
|
=======
|
|
[Enter Jailer and his Friend.]
|
|
|
|
|
|
JAILER
|
|
Heard you no more? Was nothing said of me
|
|
Concerning the escape of Palamon?
|
|
Good sir, remember!
|
|
|
|
FIRST FRIEND Nothing that I heard,
|
|
For I came home before the business
|
|
Was fully ended. Yet I might perceive,
|
|
Ere I departed, a great likelihood
|
|
Of both their pardons; for Hippolyta
|
|
And fair-eyed Emily, upon their knees,
|
|
Begged with such handsome pity that the Duke,
|
|
Methought, stood staggering whether he should
|
|
follow
|
|
His rash oath or the sweet compassion
|
|
Of those two ladies. And, to second them,
|
|
That truly noble prince, Pirithous--
|
|
Half his own heart--set in too, that I hope
|
|
All shall be well. Neither heard I one question
|
|
Of your name or his 'scape.
|
|
|
|
JAILER Pray heaven it hold so.
|
|
|
|
[Enter Second Friend.]
|
|
|
|
|
|
SECOND FRIEND
|
|
Be of good comfort, man; I bring you news,
|
|
Good news.
|
|
|
|
JAILER They are welcome.
|
|
|
|
SECOND FRIEND Palamon has cleared
|
|
you
|
|
And got your pardon, and discovered how
|
|
And by whose means he escaped, which was your
|
|
daughter's,
|
|
Whose pardon is procured too; and the prisoner,
|
|
Not to be held ungrateful to her goodness,
|
|
Has given a sum of money to her marriage--
|
|
A large one, I'll assure you.
|
|
|
|
JAILER You are a good man
|
|
And ever bring good news.
|
|
|
|
FIRST FRIEND How was it ended?
|
|
|
|
SECOND FRIEND
|
|
Why, as it should be: they that ne'er begged
|
|
But they prevailed had their suits fairly granted;
|
|
The prisoners have their lives.
|
|
|
|
FIRST FRIEND I knew 'twould be so.
|
|
|
|
SECOND FRIEND
|
|
But there be new conditions, which you'll hear of
|
|
At better time.
|
|
|
|
JAILER I hope they are good.
|
|
|
|
SECOND FRIEND They are
|
|
honorable;
|
|
How good they'll prove I know not.
|
|
|
|
FIRST FRIEND 'Twill be known.
|
|
|
|
[Enter Wooer.]
|
|
|
|
|
|
WOOER
|
|
Alas, sir, where's your daughter?
|
|
|
|
JAILER Why do you ask?
|
|
|
|
WOOER
|
|
O, sir, when did you see her?
|
|
|
|
SECOND FRIEND, [aside] How he looks!
|
|
|
|
JAILER
|
|
This morning.
|
|
|
|
WOOER Was she well? Was she in health?
|
|
Sir, when did she sleep?
|
|
|
|
FIRST FRIEND, [aside] These are strange questions.
|
|
|
|
JAILER
|
|
I do not think she was very well--for now
|
|
You make me mind her; but this very day
|
|
I asked her questions, and she answered me
|
|
So far from what she was, so childishly,
|
|
So sillily, as if she were a fool,
|
|
An innocent, and I was very angry.
|
|
But what of her, sir?
|
|
|
|
WOOER Nothing but my pity;
|
|
But you must know it, and as good by me
|
|
As by another that less loves her.
|
|
|
|
JAILER Well, sir?
|
|
|
|
WOOER
|
|
No, sir, not well.
|
|
|
|
FIRST FRIEND Not right?
|
|
|
|
SECOND FRIEND Not well?
|
|
|
|
WOOER
|
|
'Tis too true; she is mad.
|
|
|
|
FIRST FRIEND It cannot be.
|
|
|
|
WOOER
|
|
Believe you'll find it so.
|
|
|
|
JAILER I half suspected
|
|
What you told me. The gods comfort her!
|
|
Either this was her love to Palamon,
|
|
Or fear of my miscarrying on his 'scape,
|
|
Or both.
|
|
|
|
WOOER 'Tis likely.
|
|
|
|
JAILER But why all this haste, sir?
|
|
|
|
WOOER
|
|
I'll tell you quickly. As I late was angling
|
|
In the great lake that lies behind the palace,
|
|
From the far shore--thick set with reeds and
|
|
sedges--
|
|
As patiently I was attending sport,
|
|
I heard a voice, a shrill one; and, attentive,
|
|
I gave my ear, when I might well perceive
|
|
'Twas one that sung, and by the smallness of it
|
|
A boy or woman. I then left my angle
|
|
To his own skill, came near, but yet perceived not
|
|
Who made the sound, the rushes and the reeds
|
|
Had so encompassed it. I laid me down
|
|
And listened to the words she sung, for then,
|
|
Through a small glade cut by the fishermen,
|
|
I saw it was your daughter.
|
|
|
|
JAILER Pray go on, sir.
|
|
|
|
WOOER
|
|
She sung much, but no sense; only I heard her
|
|
Repeat this often: "Palamon is gone,
|
|
Is gone to th' wood to gather mulberries;
|
|
I'll find him out tomorrow."
|
|
|
|
FIRST FRIEND Pretty soul!
|
|
|
|
WOOER
|
|
"His shackles will betray him; he'll be taken,
|
|
And what shall I do then? I'll bring a bevy,
|
|
A hundred black-eyed maids that love as I do,
|
|
With chaplets on their heads of daffadillies,
|
|
With cherry lips and cheeks of damask roses,
|
|
And all we'll dance an antic 'fore the Duke,
|
|
And beg his pardon." Then she talked of you, sir--
|
|
That you must lose your head tomorrow morning,
|
|
And she must gather flowers to bury you,
|
|
And see the house made handsome. Then she sung
|
|
Nothing but "Willow, willow, willow," and between
|
|
Ever was "Palamon, fair Palamon,"
|
|
And "Palamon was a tall young man." The place
|
|
Was knee-deep where she sat; her careless tresses,
|
|
A wreath of bulrush rounded; about her stuck
|
|
Thousand freshwater flowers of several colors,
|
|
That methought she appeared like the fair nymph
|
|
That feeds the lake with waters, or as Iris
|
|
Newly dropped down from heaven. Rings she made
|
|
Of rushes that grew by, and to 'em spoke
|
|
The prettiest posies: "Thus our true love's tied,"
|
|
"This you may lose, not me," and many a one;
|
|
And then she wept, and sung again, and sighed,
|
|
And with the same breath smiled and kissed her
|
|
hand.
|
|
|
|
SECOND FRIEND
|
|
Alas, what pity it is!
|
|
|
|
WOOER I made in to her.
|
|
She saw me, and straight sought the flood. I saved
|
|
her
|
|
And set her safe to land, when presently
|
|
She slipped away, and to the city made
|
|
With such a cry and swiftness that, believe me,
|
|
She left me far behind her. Three or four
|
|
I saw from far off cross her--one of 'em
|
|
I knew to be your brother--where she stayed
|
|
And fell, scarce to be got away. I left them with her
|
|
And hither came to tell you.
|
|
|
|
[Enter Jailer's Brother, Jailer's Daughter, and others.]
|
|
|
|
Here they are.
|
|
|
|
DAUGHTER, [sings]
|
|
May you never more enjoy the light, etc.
|
|
Is not this a fine song?
|
|
|
|
BROTHER O, a very fine one.
|
|
|
|
DAUGHTER I can sing twenty more.
|
|
|
|
BROTHER I think you can.
|
|
|
|
DAUGHTER Yes, truly can I. I can sing "The Broom"
|
|
and "Bonny Robin." Are not you a tailor?
|
|
|
|
BROTHER Yes.
|
|
|
|
DAUGHTER Where's my wedding gown?
|
|
|
|
BROTHER I'll bring it tomorrow.
|
|
|
|
DAUGHTER Do, very rarely, I must be abroad else to
|
|
call the maids and pay the minstrels, for I must
|
|
lose my maidenhead by cocklight. 'Twill never
|
|
thrive else.
|
|
[Sings.]O fair, O sweet, etc.
|
|
|
|
BROTHER, [to Jailer] You must e'en take it patiently.
|
|
|
|
JAILER 'Tis true.
|
|
|
|
DAUGHTER Good e'en, good men. Pray, did you ever
|
|
hear of one young Palamon?
|
|
|
|
JAILER Yes, wench, we know him.
|
|
|
|
DAUGHTER Is 't not a fine young gentleman?
|
|
|
|
JAILER 'Tis, love.
|
|
|
|
BROTHER, [aside to others] By no mean cross her; she
|
|
is then distempered far worse than now she
|
|
shows.
|
|
|
|
FIRST FRIEND, [to Daughter] Yes, he's a fine man.
|
|
|
|
DAUGHTER O , is he so? You have a sister.
|
|
|
|
FIRST FRIEND Yes.
|
|
|
|
DAUGHTER But she shall never have him--tell her so--
|
|
for a trick that I know; you'd best look to her, for
|
|
if she see him once, she's gone, she's done and
|
|
undone in an hour. All the young maids of our
|
|
town are in love with him, but I laugh at 'em and
|
|
let 'em all alone. Is 't not a wise course?
|
|
|
|
FIRST FRIEND Yes.
|
|
|
|
DAUGHTER There is at least two hundred now with
|
|
child by him--there must be four; yet I keep close
|
|
for all this, close as a cockle; and all these must be
|
|
boys--he has the trick on 't--and at ten years old
|
|
they must be all gelt for musicians and sing the
|
|
wars of Theseus.
|
|
|
|
SECOND FRIEND This is strange.
|
|
|
|
DAUGHTER As ever you heard, but say nothing.
|
|
|
|
FIRST FRIEND No.
|
|
|
|
DAUGHTER They come from all parts of the dukedom
|
|
to him; I'll warrant you, he had not so few last
|
|
night as twenty to dispatch. He'll tickle 't up in two
|
|
hours, if his hand be in.
|
|
|
|
JAILER, [aside] She's lost past all cure.
|
|
|
|
BROTHER Heaven forbid, man!
|
|
|
|
DAUGHTER, [to Jailer] Come hither; you are a wise
|
|
man.
|
|
|
|
FIRST FRIEND, [aside] Does she know him?
|
|
|
|
SECOND FRIEND No; would she did.
|
|
|
|
DAUGHTER You are master of a ship?
|
|
|
|
JAILER Yes.
|
|
|
|
DAUGHTER Where's your compass?
|
|
|
|
JAILER Here.
|
|
|
|
DAUGHTER Set it to th' north. And now direct your
|
|
course to th' wood, where Palamon lies longing for
|
|
me. For the tackling, let me alone.--Come, weigh,
|
|
my hearts, cheerly.
|
|
|
|
ALL, [as if sailing a ship] Owgh, owgh, owgh!--'Tis up!
|
|
The wind's fair!--Top the bowline!--Out with the
|
|
main sail! Where's your whistle, master?
|
|
|
|
BROTHER Let's get her in!
|
|
|
|
JAILER Up to the top, boy!
|
|
|
|
BROTHER Where's the pilot?
|
|
|
|
FIRST FRIEND Here.
|
|
|
|
DAUGHTER What kenn'st thou?
|
|
|
|
SECOND FRIEND A fair wood.
|
|
|
|
DAUGHTER Bear for it, master. Tack about!
|
|
[Sings.]
|
|
When Cynthia with her borrowed light, etc.
|
|
[They exit.]
|
|
|
|
Scene 2
|
|
=======
|
|
[Enter Emilia alone, with two pictures.]
|
|
|
|
|
|
EMILIA
|
|
Yet I may bind those wounds up that must open
|
|
And bleed to death for my sake else. I'll choose,
|
|
And end their strife. Two such young handsome men
|
|
Shall never fall for me; their weeping mothers,
|
|
Following the dead cold ashes of their sons,
|
|
Shall never curse my cruelty.
|
|
[Looks at one of the pictures.]
|
|
Good heaven,
|
|
What a sweet face has Arcite! If wise Nature,
|
|
With all her best endowments, all those beauties
|
|
She sows into the births of noble bodies,
|
|
Were here a mortal woman, and had in her
|
|
The coy denials of young maids, yet doubtless
|
|
She would run mad for this man. What an eye,
|
|
Of what a fiery sparkle and quick sweetness,
|
|
Has this young prince! Here Love himself sits
|
|
smiling;
|
|
Just such another wanton Ganymede
|
|
Set Jove afire with, and enforced the god
|
|
Snatch up the goodly boy and set him by him,
|
|
A shining constellation. What a brow,
|
|
Of what a spacious majesty, he carries,
|
|
Arched like the great-eyed Juno's but far sweeter,
|
|
Smoother than Pelops' shoulder! Fame and Honor,
|
|
Methinks, from hence as from a promontory
|
|
Pointed in heaven, should clap their wings and sing
|
|
To all the under world the loves and fights
|
|
Of gods and such men near 'em.
|
|
[Looks at the other picture.]
|
|
Palamon
|
|
Is but his foil, to him a mere dull shadow;
|
|
He's swart and meager, of an eye as heavy
|
|
As if he had lost his mother; a still temper,
|
|
No stirring in him, no alacrity;
|
|
Of all this sprightly sharpness not a smile.
|
|
Yet these that we count errors may become him;
|
|
Narcissus was a sad boy but a heavenly.
|
|
O, who can find the bent of woman's fancy?
|
|
I am a fool; my reason is lost in me;
|
|
I have no choice, and I have lied so lewdly
|
|
That women ought to beat me. On my knees
|
|
I ask thy pardon: Palamon, thou art alone
|
|
And only beautiful, and these the eyes,
|
|
These the bright lamps of beauty, that command
|
|
And threaten love, and what young maid dare cross
|
|
'em?
|
|
What a bold gravity, and yet inviting,
|
|
Has this brown manly face! O Love, this only
|
|
From this hour is complexion. Lie there, Arcite.
|
|
[She puts aside his picture.]
|
|
Thou art a changeling to him, a mere gypsy,
|
|
And this the noble body. I am sotted,
|
|
Utterly lost. My virgin's faith has fled me.
|
|
For if my brother but even now had asked me
|
|
Whether I loved, I had run mad for Arcite.
|
|
Now, if my sister, more for Palamon.
|
|
Stand both together. Now, come ask me, brother.
|
|
Alas, I know not! Ask me now, sweet sister.
|
|
I may go look! What a mere child is Fancy,
|
|
That, having two fair gauds of equal sweetness,
|
|
Cannot distinguish, but must cry for both.
|
|
|
|
[Enter a Gentleman.]
|
|
|
|
How now, sir?
|
|
|
|
GENTLEMAN From the noble duke, your brother,
|
|
Madam, I bring you news: the knights are come.
|
|
|
|
EMILIA
|
|
To end the quarrel?
|
|
|
|
GENTLEMAN Yes.
|
|
|
|
EMILIA Would I might end first!
|
|
What sins have I committed, chaste Diana,
|
|
That my unspotted youth must now be soiled
|
|
With blood of princes, and my chastity
|
|
Be made the altar where the lives of lovers--
|
|
Two greater and two better never yet
|
|
Made mothers joy--must be the sacrifice
|
|
To my unhappy beauty?
|
|
|
|
[Enter Theseus, Hippolyta, Pirithous and Attendants.]
|
|
|
|
|
|
THESEUS, [to Attendant] Bring 'em in
|
|
Quickly, by any means; I long to see 'em.
|
|
[To Emilia.] Your two contending lovers are
|
|
returned,
|
|
And with them their fair knights. Now, my fair
|
|
sister,
|
|
You must love one of them.
|
|
|
|
EMILIA I had rather both,
|
|
So neither for my sake should fall untimely.
|
|
|
|
THESEUS
|
|
Who saw 'em?
|
|
|
|
PIRITHOUS I awhile.
|
|
|
|
GENTLEMAN And I.
|
|
|
|
[Enter a Messenger.]
|
|
|
|
|
|
THESEUS
|
|
From whence come you, sir?
|
|
|
|
MESSENGER From the knights.
|
|
|
|
THESEUS Pray
|
|
speak,
|
|
You that have seen them, what they are.
|
|
|
|
MESSENGER I will, sir,
|
|
And truly what I think. Six braver spirits
|
|
Than these they have brought, if we judge by the
|
|
outside,
|
|
I never saw nor read of. He that stands
|
|
In the first place with Arcite, by his seeming,
|
|
Should be a stout man, by his face a prince--
|
|
His very looks so say him; his complexion
|
|
Nearer a brown than black--stern and yet noble--
|
|
Which shows him hardy, fearless, proud of dangers;
|
|
The circles of his eyes show fire within him,
|
|
And as a heated lion, so he looks.
|
|
His hair hangs long behind him, black and shining
|
|
Like ravens' wings; his shoulders broad and strong,
|
|
Armed long and round; and on his thigh a sword
|
|
Hung by a curious baldric, when he frowns
|
|
To seal his will with. Better, o' my conscience,
|
|
Was never soldier's friend.
|
|
|
|
THESEUS
|
|
Thou hast well described him.
|
|
|
|
PIRITHOUS Yet a great
|
|
deal short,
|
|
Methinks, of him that's first with Palamon.
|
|
|
|
THESEUS
|
|
Pray speak him, friend.
|
|
|
|
PIRITHOUS I guess he is a prince too,
|
|
And, if it may be, greater; for his show
|
|
Has all the ornament of honor in 't:
|
|
He's somewhat bigger than the knight he spoke of,
|
|
But of a face far sweeter; his complexion
|
|
Is, as a ripe grape, ruddy. He has felt
|
|
Without doubt what he fights for, and so apter
|
|
To make this cause his own. In 's face appears
|
|
All the fair hopes of what he undertakes,
|
|
And when he's angry, then a settled valor,
|
|
Not tainted with extremes, runs through his body
|
|
And guides his arm to brave things. Fear he cannot;
|
|
He shows no such soft temper. His head's yellow,
|
|
Hard-haired and curled, thick-twined like ivy tods,
|
|
Not to undo with thunder. In his face
|
|
The livery of the warlike maid appears,
|
|
Pure red and white, for yet no beard has blessed him.
|
|
And in his rolling eyes sits Victory,
|
|
As if she ever meant to crown his valor.
|
|
His nose stands high, a character of honor;
|
|
His red lips, after fights, are fit for ladies.
|
|
|
|
EMILIA
|
|
Must these men die too?
|
|
|
|
PIRITHOUS When he speaks, his tongue
|
|
Sounds like a trumpet. All his lineaments
|
|
Are as a man would wish 'em, strong and clean.
|
|
He wears a well-steeled axe, the staff of gold;
|
|
His age some five-and-twenty.
|
|
|
|
MESSENGER There's another--
|
|
A little man, but of a tough soul, seeming
|
|
As great as any; fairer promises
|
|
In such a body yet I never looked on.
|
|
|
|
PIRITHOUS
|
|
O, he that's freckle-faced?
|
|
|
|
MESSENGER The same, my lord.
|
|
Are they not sweet ones?
|
|
|
|
PIRITHOUS Yes, they are well.
|
|
|
|
MESSENGER Methinks,
|
|
Being so few, and well disposed, they show
|
|
Great and fine art in nature. He's white-haired--
|
|
Not wanton white, but such a manly color
|
|
Next to an auburn; tough and nimble-set,
|
|
Which shows an active soul. His arms are brawny,
|
|
Lined with strong sinews--to the shoulder-piece
|
|
Gently they swell, like women new-conceived,
|
|
Which speaks him prone to labor, never fainting
|
|
Under the weight of arms; stout-hearted still,
|
|
But when he stirs, a tiger. He's grey-eyed,
|
|
Which yields compassion where he conquers; sharp
|
|
To spy advantages, and where he finds 'em,
|
|
He's swift to make 'em his. He does no wrongs,
|
|
Nor takes none. He's round-faced, and when he
|
|
smiles
|
|
He shows a lover; when he frowns, a soldier.
|
|
About his head he wears the winner's oak,
|
|
And in it stuck the favor of his lady.
|
|
His age some six-and-thirty. In his hand
|
|
He bears a charging-staff embossed with silver.
|
|
|
|
THESEUS
|
|
Are they all thus?
|
|
|
|
PIRITHOUS They are all the sons of honor.
|
|
|
|
THESEUS
|
|
Now, as I have a soul, I long to see 'em.--
|
|
Lady, you shall see men fight now.
|
|
|
|
HIPPOLYTA I wish it,
|
|
But not the cause, my lord. They would show
|
|
Bravely about the titles of two kingdoms;
|
|
'Tis pity love should be so tyrannous.--
|
|
O, my soft-hearted sister, what think you?
|
|
Weep not till they weep blood. Wench, it must be.
|
|
|
|
THESEUS, [to Emilia]
|
|
You have steeled 'em with your beauty. [(To
|
|
Pirithous.)] Honored friend,
|
|
To you I give the field; pray order it
|
|
Fitting the persons that must use it.
|
|
|
|
PIRITHOUS Yes, sir.
|
|
|
|
THESEUS
|
|
Come, I'll go visit 'em. I cannot stay--
|
|
Their fame has fired me so--till they appear.
|
|
Good friend, be royal.
|
|
|
|
PIRITHOUS There shall want no bravery.
|
|
[All but Emilia exit.]
|
|
|
|
EMILIA
|
|
Poor wench, go weep, for whosoever wins
|
|
Loses a noble cousin for thy sins.
|
|
[She exits.]
|
|
|
|
Scene 3
|
|
=======
|
|
[Enter Jailer, Wooer, Doctor.]
|
|
|
|
|
|
DOCTOR Her distraction is more at some time of the
|
|
moon than at other some, is it not?
|
|
|
|
JAILER She is continually in a harmless distemper,
|
|
sleeps little, altogether without appetite, save often
|
|
drinking, dreaming of another world, and a better;
|
|
and what broken piece of matter soe'er she's about,
|
|
the name Palamon lards it, that she farces ev'ry
|
|
business withal, fits it to every question.
|
|
|
|
[Enter Jailer's Daughter.]
|
|
|
|
Look where she comes; you shall perceive her
|
|
behavior. [They stand aside.]
|
|
|
|
DAUGHTER I have forgot it quite. The burden on 't was
|
|
"down-a down-a," and penned by no worse man
|
|
than Geraldo, Emilia's schoolmaster. He's as fantastical,
|
|
too, as ever he may go upon 's legs, for in
|
|
the next world will Dido see Palamon, and then
|
|
will she be out of love with Aeneas.
|
|
|
|
DOCTOR, [aside to Jailer and Wooer] What stuff's here?
|
|
Poor soul.
|
|
|
|
JAILER E'en thus all day long.
|
|
|
|
DAUGHTER Now for this charm that I told you of, you
|
|
must bring a piece of silver on the tip of your
|
|
tongue, or no ferry; then if it be your chance to
|
|
come where the blessed spirits are, there's a
|
|
sight now! We maids that have our livers perished,
|
|
cracked to pieces with love, we shall come there,
|
|
and do nothing all day long but pick flowers with
|
|
Proserpine. Then will I make Palamon a nosegay;
|
|
then let him mark me then.
|
|
|
|
DOCTOR How prettily she's amiss! Note her a little
|
|
further.
|
|
|
|
DAUGHTER Faith, I'll tell you, sometime we go to
|
|
barley-break, we of the blessed. Alas, 'tis a sore life
|
|
they have i' th' other place--such burning, frying,
|
|
boiling, hissing, howling, chatt'ring, cursing--O,
|
|
they have shrewd measure, take heed! If one be
|
|
mad, or hang or drown themselves, thither they
|
|
go, Jupiter bless us, and there shall we be put in
|
|
a cauldron of lead and usurers' grease, amongst a
|
|
whole million of cutpurses, and there boil like a
|
|
gammon of bacon that will never be enough.
|
|
|
|
DOCTOR How her brains coins!
|
|
|
|
DAUGHTER Lords and courtiers that have got maids
|
|
with child, they are in this place. They shall stand
|
|
in fire up to the navel and in ice up to th' heart, and
|
|
there th' offending part burns and the deceiving
|
|
part freezes: in troth, a very grievous punishment,
|
|
as one would think, for such a trifle. Believe me,
|
|
one would marry a leprous witch to be rid on 't, I'll
|
|
assure you.
|
|
|
|
DOCTOR How she continues this fancy! 'Tis not an engraffed
|
|
madness, but a most thick and profound
|
|
melancholy.
|
|
|
|
DAUGHTER To hear there a proud lady and a proud city
|
|
wife howl together--I were a beast an I'd call it
|
|
good sport. One cries "O this smoke!" th' other,
|
|
"This fire!"; one cries, "O, that ever I did it behind
|
|
the arras!" and then howls; th' other curses a suing
|
|
fellow and her garden house.
|
|
[Sings.]
|
|
I will be true, my stars, my fate, etc.
|
|
[Daughter exits.]
|
|
|
|
JAILER What think you of her, sir?
|
|
|
|
DOCTOR I think she has a perturbed mind, which I
|
|
cannot minister to.
|
|
|
|
JAILER Alas, what then?
|
|
|
|
DOCTOR Understand you she ever affected any man
|
|
ere she beheld Palamon?
|
|
|
|
JAILER I was once, sir, in great hope she had fixed her
|
|
liking on this gentleman, my friend.
|
|
|
|
WOOER I did think so, too, and would account I had a
|
|
great penn'orth on 't to give half my state that both
|
|
she and I, at this present, stood unfeignedly on the
|
|
same terms.
|
|
|
|
DOCTOR That intemp'rate surfeit of her eye hath distempered
|
|
the other senses. They may return and
|
|
settle again to execute their preordained faculties,
|
|
but they are now in a most extravagant vagary.
|
|
This you must do: confine her to a place where
|
|
the light may rather seem to steal in than be
|
|
permitted.--Take upon you, young sir, her friend,
|
|
the name of Palamon; say you come to eat with
|
|
her, and to commune of love. This will catch her
|
|
attention, for this her mind beats upon; other
|
|
objects that are inserted 'tween her mind and eye
|
|
become the pranks and friskins of her madness.
|
|
Sing to her such green songs of love as she says
|
|
Palamon hath sung in prison. Come to her stuck
|
|
in as sweet flowers as the season is mistress of,
|
|
and thereto make an addition of some other compounded
|
|
odors which are grateful to the sense.
|
|
All this shall become Palamon, for Palamon can
|
|
sing, and Palamon is sweet and ev'ry good thing.
|
|
Desire to eat with her, carve her, drink to her, and
|
|
still among intermingle your petition of grace and
|
|
acceptance into her favor. Learn what maids have
|
|
been her companions and playferes, and let them
|
|
repair to her with Palamon in their mouths, and
|
|
appear with tokens, as if they suggested for him.--
|
|
It is a falsehood she is in, which is with falsehoods
|
|
to be combated. This may bring her to eat,
|
|
to sleep, and reduce what's now out of square in
|
|
her into their former law and regiment. I have seen
|
|
it approved, how many times I know not, but to
|
|
make the number more, I have great hope in this.
|
|
I will between the passages of this project come
|
|
in with my appliance. Let us put it in execution
|
|
and hasten the success, which doubt not will bring
|
|
forth comfort.
|
|
[They exit.]
|
|
|
|
|
|
ACT 5
|
|
=====
|
|
|
|
Scene 1
|
|
=======
|
|
[Flourish. Enter Theseus, Pirithous, Hippolyta,
|
|
and Attendants. Three altars set up onstage.]
|
|
|
|
|
|
THESEUS
|
|
Now let 'em enter and before the gods
|
|
Tender their holy prayers. Let the temples
|
|
Burn bright with sacred fires, and the altars
|
|
In hallowed clouds commend their swelling incense
|
|
To those above us. Let no due be wanting.
|
|
They have a noble work in hand will honor
|
|
The very powers that love 'em.
|
|
|
|
PIRITHOUS Sir, they enter.
|
|
|
|
[Flourish of cornets. Enter Palamon and Arcite
|
|
and their Knights.]
|
|
|
|
|
|
THESEUS
|
|
You valiant and strong-hearted enemies,
|
|
You royal german foes, that this day come
|
|
To blow that nearness out that flames between you,
|
|
Lay by your anger for an hour and, dove-like,
|
|
Before the holy altars of your helpers,
|
|
The all-feared gods, bow down your stubborn
|
|
bodies.
|
|
Your ire is more than mortal; so your help be.
|
|
And as the gods regard you, fight with justice.
|
|
I'll leave you to your prayers, and betwixt you
|
|
I part my wishes.
|
|
|
|
PIRITHOUS Honor crown the worthiest!
|
|
[Theseus and his train exit.]
|
|
|
|
PALAMON
|
|
The glass is running now that cannot finish
|
|
Till one of us expire. Think you but thus,
|
|
That were there aught in me which strove to show
|
|
Mine enemy in this business, were 't one eye
|
|
Against another, arm oppressed by arm,
|
|
I would destroy th' offender, coz--I would
|
|
Though parcel of myself. Then from this gather
|
|
How I should tender you.
|
|
|
|
ARCITE I am in labor
|
|
To push your name, your ancient love, our kindred
|
|
Out of my memory, and i' th' selfsame place
|
|
To seat something I would confound. So hoist we
|
|
The sails that must these vessels port even where
|
|
The heavenly Limiter pleases.
|
|
|
|
PALAMON You speak well.
|
|
Before I turn, let me embrace thee, cousin.
|
|
[They embrace.]
|
|
This I shall never do again.
|
|
|
|
ARCITE One farewell.
|
|
|
|
PALAMON
|
|
Why, let it be so. Farewell, coz.
|
|
|
|
ARCITE Farewell, sir.
|
|
[Palamon and his Knights exit.]
|
|
Knights, kinsmen, lovers, yea, my sacrifices,
|
|
True worshippers of Mars, whose spirit in you
|
|
Expels the seeds of fear and th' apprehension
|
|
Which still is father of it, go with me
|
|
Before the god of our profession. There
|
|
Require of him the hearts of lions and
|
|
The breath of tigers, yea, the fierceness too,
|
|
Yea, the speed also--to go on, I mean;
|
|
Else wish we to be snails. You know my prize
|
|
Must be dragged out of blood; force and great feat
|
|
Must put my garland on, where she sticks,
|
|
The queen of flowers. Our intercession, then,
|
|
Must be to him that makes the camp a cistern
|
|
Brimmed with the blood of men. Give me your aid,
|
|
And bend your spirits towards him.
|
|
[They go to Mars's altar, fall on
|
|
their faces before it, and then kneel.]
|
|
Thou mighty one, that with thy power hast turned
|
|
Green Neptune into purple, whose approach
|
|
Comets prewarn, whose havoc in vast field
|
|
Unearthed skulls proclaim, whose breath blows
|
|
down
|
|
The teeming Ceres' foison, who dost pluck
|
|
With hand armipotent from forth blue clouds
|
|
The masoned turrets, that both mak'st and break'st
|
|
The stony girths of cities; me thy pupil,
|
|
Youngest follower of thy drum, instruct this day
|
|
With military skill, that to thy laud
|
|
I may advance my streamer, and by thee
|
|
Be styled the lord o' th' day. Give me, great Mars,
|
|
Some token of thy pleasure.
|
|
[Here they fall on their faces as formerly, and
|
|
there is heard clanging of armor, with a short
|
|
thunder, as the burst of a battle, whereupon
|
|
they all rise and bow to the altar.]
|
|
O, great corrector of enormous times,
|
|
Shaker of o'er-rank states, thou grand decider
|
|
Of dusty and old titles, that heal'st with blood
|
|
The Earth when it is sick, and cur'st the world
|
|
O' th' pleurisy of people, I do take
|
|
Thy signs auspiciously, and in thy name
|
|
To my design march boldly.--Let us go. [They exit.]
|
|
|
|
[Enter Palamon and his Knights,
|
|
with the former observance.]
|
|
|
|
|
|
PALAMON
|
|
Our stars must glister with new fire, or be
|
|
Today extinct. Our argument is love,
|
|
Which, if the goddess of it grant, she gives
|
|
Victory too. Then blend your spirits with mine,
|
|
You whose free nobleness do make my cause
|
|
Your personal hazard. To the goddess Venus
|
|
Commend we our proceeding, and implore
|
|
Her power unto our party.
|
|
[Here they go to Venus's altar, fall on
|
|
their faces before it, and then kneel.]
|
|
Hail, sovereign queen of secrets, who hast power
|
|
To call the fiercest tyrant from his rage
|
|
And weep unto a girl; that hast the might
|
|
Even with an eye-glance to choke Mars's drum
|
|
And turn th' alarm to whispers; that canst make
|
|
A cripple flourish with his crutch, and cure him
|
|
Before Apollo; that mayst force the king
|
|
To be his subject's vassal, and induce
|
|
Stale gravity to dance. The polled bachelor,
|
|
Whose youth, like wanton boys through bonfires,
|
|
Have skipped thy flame, at seventy thou canst catch,
|
|
And make him, to the scorn of his hoarse throat,
|
|
Abuse young lays of love. What godlike power
|
|
Hast thou not power upon? To Phoebus thou
|
|
Add'st flames hotter than his; the heavenly fires
|
|
Did scorch his mortal son, thine him. The huntress,
|
|
All moist and cold, some say, began to throw
|
|
Her bow away and sigh. Take to thy grace
|
|
Me, thy vowed soldier, who do bear thy yoke
|
|
As 'twere a wreath of roses, yet is heavier
|
|
Than lead itself, stings more than nettles.
|
|
I have never been foul-mouthed against thy law,
|
|
Ne'er revealed secret, for I knew none--would not,
|
|
Had I kenned all that were. I never practiced
|
|
Upon man's wife, nor would the libels read
|
|
Of liberal wits. I never at great feasts
|
|
Sought to betray a beauty, but have blushed
|
|
At simp'ring sirs that did. I have been harsh
|
|
To large confessors, and have hotly asked them
|
|
If they had mothers--I had one, a woman,
|
|
And women 'twere they wronged. I knew a man
|
|
Of eighty winters--this I told them--who
|
|
A lass of fourteen brided; 'twas thy power
|
|
To put life into dust. The aged cramp
|
|
Had screwed his square foot round;
|
|
The gout had knit his fingers into knots;
|
|
Torturing convulsions from his globy eyes
|
|
Had almost drawn their spheres, that what was life
|
|
In him seemed torture. This anatomy
|
|
Had by his young fair fere a boy, and I
|
|
Believed it was his, for she swore it was,
|
|
And who would not believe her? Brief, I am
|
|
To those that prate and have done, no companion;
|
|
To those that boast and have not, a defier;
|
|
To those that would and cannot, a rejoicer.
|
|
Yea, him I do not love that tells close offices
|
|
The foulest way, nor names concealments in
|
|
The boldest language. Such a one I am,
|
|
And vow that lover never yet made sigh
|
|
Truer than I. O, then, most soft sweet goddess,
|
|
Give me the victory of this question, which
|
|
Is true love's merit, and bless me with a sign
|
|
Of thy great pleasure.
|
|
[Here music is heard; doves are
|
|
seen to flutter. They fall again upon
|
|
their faces, then on their knees.]
|
|
O thou that from eleven to ninety reign'st
|
|
In mortal bosoms, whose chase is this world
|
|
And we in herds thy game, I give thee thanks
|
|
For this fair token, which being laid unto
|
|
Mine innocent true heart, arms in assurance
|
|
My body to this business.--Let us rise
|
|
And bow before the goddess. [They rise and bow.]
|
|
Time comes on.
|
|
[They exit.]
|
|
|
|
[Still music of recorders. Enter Emilia in white, her
|
|
hair about her shoulders, wearing a wheaten wreath;
|
|
one in white holding up her train, her hair stuck with
|
|
flowers; one before her carrying a silver hind, in which
|
|
is conveyed incense and sweet odors, which being
|
|
set upon the altar of Diana, her maids standing
|
|
aloof, she sets fire to it. Then they curtsy and kneel.]
|
|
|
|
|
|
EMILIA
|
|
O sacred, shadowy, cold, and constant queen,
|
|
Abandoner of revels, mute contemplative,
|
|
Sweet, solitary, white as chaste, and pure
|
|
As wind-fanned snow, who to thy female knights
|
|
Allow'st no more blood than will make a blush,
|
|
Which is their order's robe, I here, thy priest,
|
|
Am humbled 'fore thine altar. O, vouchsafe
|
|
With that thy rare green eye, which never yet
|
|
Beheld thing maculate, look on thy virgin,
|
|
And, sacred silver mistress, lend thine ear--
|
|
Which ne'er heard scurrile term, into whose port
|
|
Ne'er entered wanton sound--to my petition,
|
|
Seasoned with holy fear. This is my last
|
|
Of vestal office. I am bride-habited
|
|
But maiden-hearted. A husband I have 'pointed,
|
|
But do not know him. Out of two I should
|
|
Choose one, and pray for his success, but I
|
|
Am guiltless of election. Of mine eyes,
|
|
Were I to lose one--they are equal precious--
|
|
I could doom neither; that which perished should
|
|
Go to 't unsentenced. Therefore, most modest queen,
|
|
He of the two pretenders that best loves me
|
|
And has the truest title in 't, let him
|
|
Take off my wheaten garland, or else grant
|
|
The file and quality I hold I may
|
|
Continue in thy band.
|
|
[Here the hind vanishes under the
|
|
altar, and in the place ascends a rose
|
|
tree, having one rose upon it.]
|
|
See what our general of ebbs and flows
|
|
Out from the bowels of her holy altar
|
|
With sacred act advances: but one rose.
|
|
If well inspired, this battle shall confound
|
|
Both these brave knights, and I, a virgin flower,
|
|
Must grow alone unplucked.
|
|
[Here is heard a sudden twang of instruments,
|
|
and the rose falls from the tree.]
|
|
The flower is fall'n, the tree descends. O mistress,
|
|
Thou here dischargest me. I shall be gathered;
|
|
I think so, but I know not thine own will.
|
|
Unclasp thy mystery!--I hope she's pleased;
|
|
Her signs were gracious.
|
|
[They curtsy and exit.]
|
|
|
|
Scene 2
|
|
=======
|
|
[Enter Doctor, Jailer, and Wooer in
|
|
the habit of Palamon.]
|
|
|
|
|
|
DOCTOR
|
|
Has this advice I told you done any good upon her?
|
|
|
|
WOOER
|
|
O, very much. The maids that kept her company
|
|
Have half-persuaded her that I am Palamon;
|
|
Within this half-hour she came smiling to me,
|
|
And asked me what I would eat, and when I would
|
|
kiss her.
|
|
I told her "Presently," and kissed her twice.
|
|
|
|
DOCTOR
|
|
'Twas well done; twenty times had been far better,
|
|
For there the cure lies mainly.
|
|
|
|
WOOER Then she told me
|
|
She would watch with me tonight, for well she knew
|
|
What hour my fit would take me.
|
|
|
|
DOCTOR Let her do so,
|
|
And when your fit comes, fit her home,
|
|
And presently.
|
|
|
|
WOOER She would have me sing.
|
|
|
|
DOCTOR
|
|
You did so?
|
|
|
|
WOOER No.
|
|
|
|
DOCTOR 'Twas very ill done, then.
|
|
You should observe her ev'ry way.
|
|
|
|
WOOER Alas,
|
|
I have no voice, sir, to confirm her that way.
|
|
|
|
DOCTOR
|
|
That's all one, if you make a noise.
|
|
If she entreat again, do anything.
|
|
Lie with her, if she ask you.
|
|
|
|
JAILER Ho there, doctor!
|
|
|
|
DOCTOR
|
|
Yes, in the way of cure.
|
|
|
|
JAILER But first, by your leave,
|
|
I' th' way of honesty.
|
|
|
|
DOCTOR That's but a niceness.
|
|
Ne'er cast your child away for honesty.
|
|
Cure her first this way; then if she will be honest,
|
|
She has the path before her.
|
|
|
|
JAILER
|
|
Thank you, doctor.
|
|
|
|
DOCTOR Pray bring her in
|
|
And let's see how she is.
|
|
|
|
JAILER I will, and tell her
|
|
Her Palamon stays for her. But, doctor,
|
|
Methinks you are i' th' wrong still. [Jailer exits.]
|
|
|
|
DOCTOR Go, go.
|
|
You fathers are fine fools. Her honesty?
|
|
And we should give her physic till we find that!
|
|
|
|
WOOER
|
|
Why, do you think she is not honest, sir?
|
|
|
|
DOCTOR
|
|
How old is she?
|
|
|
|
WOOER She's eighteen.
|
|
|
|
DOCTOR She may be.
|
|
But that's all one; 'tis nothing to our purpose.
|
|
Whate'er her father says, if you perceive
|
|
Her mood inclining that way that I spoke of,
|
|
Videlicet, the way of flesh--you have me?
|
|
|
|
WOOER
|
|
Yes, very well, sir.
|
|
|
|
DOCTOR Please her appetite,
|
|
And do it home; it cures her, ipso facto,
|
|
The melancholy humor that infects her.
|
|
|
|
WOOER
|
|
I am of your mind, doctor.
|
|
|
|
DOCTOR You'll find it so.
|
|
|
|
[Enter Jailer, Daughter, and Maid.]
|
|
|
|
She comes; pray humor her.
|
|
[Wooer and Doctor stand aside.]
|
|
|
|
JAILER, [to Daughter]
|
|
Come, your love Palamon stays for you, child,
|
|
And has done this long hour, to visit you.
|
|
|
|
DAUGHTER
|
|
I thank him for his gentle patience.
|
|
He's a kind gentleman, and I am much bound to
|
|
him.
|
|
Did you ne'er see the horse he gave me?
|
|
|
|
JAILER Yes.
|
|
|
|
DAUGHTER
|
|
How do you like him?
|
|
|
|
JAILER He's a very fair one.
|
|
|
|
DAUGHTER
|
|
You never saw him dance?
|
|
|
|
JAILER No.
|
|
|
|
DAUGHTER I have, often.
|
|
He dances very finely, very comely,
|
|
And for a jig, come cut and long tail to him,
|
|
He turns you like a top.
|
|
|
|
JAILER That's fine indeed.
|
|
|
|
DAUGHTER
|
|
He'll dance the morris twenty mile an hour,
|
|
And that will founder the best hobbyhorse,
|
|
If I have any skill, in all the parish,
|
|
And gallops to the tune of "Light o' love."
|
|
What think you of this horse?
|
|
|
|
JAILER Having these virtues,
|
|
I think he might be brought to play at tennis.
|
|
|
|
DAUGHTER
|
|
Alas, that's nothing.
|
|
|
|
JAILER Can he write and read too?
|
|
|
|
DAUGHTER
|
|
A very fair hand, and casts himself th' accounts
|
|
Of all his hay and provender. That hostler
|
|
Must rise betime that cozens him. You know
|
|
The chestnut mare the Duke has?
|
|
|
|
JAILER Very well.
|
|
|
|
DAUGHTER
|
|
She is horribly in love with him, poor beast,
|
|
But he is like his master, coy and scornful.
|
|
|
|
JAILER
|
|
What dowry has she?
|
|
|
|
DAUGHTER Some two hundred bottles,
|
|
And twenty strike of oats, but he'll ne'er have her.
|
|
He lisps in 's neighing able to entice
|
|
A miller's mare. He'll be the death of her.
|
|
|
|
DOCTOR, [aside] What stuff she utters!
|
|
|
|
[Wooer and Doctor come forward.]
|
|
|
|
|
|
|
|
JAILER
|
|
Make curtsy; here your love comes.
|
|
|
|
WOOER Pretty soul,
|
|
How do you? [Daughter curtsies.]
|
|
That's a fine maid; there's a curtsy!
|
|
|
|
DAUGHTER
|
|
Yours to command i' th' way of honesty.--
|
|
How far is 't now to th' end o' th' world, my masters?
|
|
|
|
DOCTOR
|
|
Why, a day's journey, wench.
|
|
|
|
DAUGHTER, [to Wooer] Will you go with me?
|
|
|
|
WOOER
|
|
What shall we do there, wench?
|
|
|
|
DAUGHTER Why, play at
|
|
stool-ball.
|
|
What is there else to do?
|
|
|
|
WOOER I am content,
|
|
If we shall keep our wedding there.
|
|
|
|
DAUGHTER 'Tis true,
|
|
For there, I will assure you, we shall find
|
|
Some blind priest for the purpose, that will venture
|
|
To marry us; for here they are nice and foolish.
|
|
Besides, my father must be hanged tomorrow,
|
|
And that would be a blot i' th' business.
|
|
Are not you Palamon?
|
|
|
|
WOOER Do not you know me?
|
|
|
|
DAUGHTER
|
|
Yes, but you care not for me; I have nothing
|
|
But this poor petticoat and two coarse smocks.
|
|
|
|
WOOER
|
|
That's all one; I will have you.
|
|
|
|
DAUGHTER Will you surely?
|
|
|
|
WOOER, [taking her hand]
|
|
Yes, by this fair hand, will I.
|
|
|
|
DAUGHTER We'll to bed then.
|
|
|
|
WOOER
|
|
E'en when you will. [He kisses her.]
|
|
|
|
DAUGHTER, [wiping her face] O , sir, you would fain
|
|
be nibbling.
|
|
|
|
WOOER
|
|
Why do you rub my kiss off?
|
|
|
|
DAUGHTER 'Tis a sweet one,
|
|
And will perfume me finely against the wedding.
|
|
Is not this your cousin Arcite? [She indicates Doctor.]
|
|
|
|
DOCTOR Yes, sweetheart,
|
|
And I am glad my cousin Palamon
|
|
Has made so fair a choice.
|
|
|
|
DAUGHTER Do you think he'll have me?
|
|
|
|
DOCTOR
|
|
Yes, without doubt.
|
|
|
|
DAUGHTER, [to Jailer] Do you think so too?
|
|
|
|
JAILER Yes.
|
|
|
|
DAUGHTER
|
|
We shall have many children. [(To Doctor.)] Lord,
|
|
how you're grown!
|
|
My Palamon, I hope, will grow too, finely,
|
|
Now he's at liberty. Alas, poor chicken,
|
|
He was kept down with hard meat and ill lodging,
|
|
But I'll kiss him up again.
|
|
|
|
[Enter a Messenger.]
|
|
|
|
|
|
MESSENGER
|
|
What do you here? You'll lose the noblest sight
|
|
That e'er was seen.
|
|
|
|
JAILER Are they i' th' field?
|
|
|
|
MESSENGER They are.
|
|
You bear a charge there too.
|
|
|
|
JAILER I'll away straight.--
|
|
I must e'en leave you here.
|
|
|
|
DOCTOR Nay, we'll go with you.
|
|
I will not lose the sight.
|
|
|
|
JAILER, [aside to Doctor] How did you like her?
|
|
|
|
DOCTOR
|
|
I'll warrant you, within these three or four days
|
|
I'll make her right again. [Jailer and Messenger exit.]
|
|
[(To Wooer.)] You must not from her,
|
|
But still preserve her in this way.
|
|
|
|
WOOER I will.
|
|
|
|
DOCTOR
|
|
Let's get her in.
|
|
|
|
WOOER Come, sweet, we'll go to dinner
|
|
And then we'll play at cards.
|
|
|
|
DAUGHTER And shall we kiss too?
|
|
|
|
WOOER
|
|
A hundred times.
|
|
|
|
DAUGHTER And twenty.
|
|
|
|
WOOER Ay, and twenty.
|
|
|
|
DAUGHTER
|
|
And then we'll sleep together.
|
|
|
|
DOCTOR, [to Wooer] Take her offer.
|
|
|
|
WOOER
|
|
Yes, marry, will we.
|
|
|
|
DAUGHTER But you shall not hurt me.
|
|
|
|
WOOER
|
|
I will not, sweet.
|
|
|
|
DAUGHTER If you do, love, I'll cry.
|
|
[They exit.]
|
|
|
|
Scene 3
|
|
=======
|
|
[Flourish. Enter Theseus, Hippolyta,
|
|
Emilia, Pirithous, and some Attendants.]
|
|
|
|
|
|
EMILIA
|
|
I'll no step further.
|
|
|
|
PIRITHOUS Will you lose this sight?
|
|
|
|
EMILIA
|
|
I had rather see a wren hawk at a fly
|
|
Than this decision; ev'ry blow that falls
|
|
Threats a brave life; each stroke laments
|
|
The place whereon it falls, and sounds more like
|
|
A bell than blade. I will stay here.
|
|
It is enough my hearing shall be punished
|
|
With what shall happen, 'gainst the which there is
|
|
No deafing but to hear; not taint mine eye
|
|
With dread sights it may shun.
|
|
|
|
PIRITHOUS, [to Theseus] Sir, my good lord,
|
|
Your sister will no further.
|
|
|
|
THESEUS O, she must.
|
|
She shall see deeds of honor in their kind,
|
|
Which sometime show well, penciled. Nature now
|
|
Shall make and act the story, the belief
|
|
Both sealed with eye and ear.--You must be present;
|
|
You are the victor's meed, the price and garland
|
|
To crown the question's title.
|
|
|
|
EMILIA Pardon me.
|
|
If I were there, I'd wink.
|
|
|
|
THESEUS You must be there;
|
|
This trial is as 'twere i' th' night, and you
|
|
The only star to shine.
|
|
|
|
EMILIA I am extinct;
|
|
There is but envy in that light which shows
|
|
The one the other. Darkness, which ever was
|
|
The dam of horror, who does stand accursed
|
|
Of many mortal millions, may even now,
|
|
By casting her black mantle over both,
|
|
That neither could find other, get herself
|
|
Some part of a good name, and many a murder
|
|
Set off whereto she's guilty.
|
|
|
|
HIPPOLYTA You must go.
|
|
|
|
EMILIA
|
|
In faith, I will not.
|
|
|
|
THESEUS Why, the knights must kindle
|
|
Their valor at your eye. Know, of this war
|
|
You are the treasure, and must needs be by
|
|
To give the service pay.
|
|
|
|
EMILIA Sir, pardon me.
|
|
The title of a kingdom may be tried
|
|
Out of itself.
|
|
|
|
THESEUS Well, well, then; at your pleasure.
|
|
Those that remain with you could wish their office
|
|
To any of their enemies.
|
|
|
|
HIPPOLYTA Farewell, sister.
|
|
I am like to know your husband 'fore yourself
|
|
By some small start of time. He whom the gods
|
|
Do of the two know best, I pray them he
|
|
Be made your lot.
|
|
[Theseus, Hippolyta, Pirithous, and others,
|
|
exit. Emilia remains, comparing again
|
|
the pictures of Arcite and Palamon.]
|
|
|
|
EMILIA
|
|
Arcite is gently visaged, yet his eye
|
|
Is like an engine bent, or a sharp weapon
|
|
In a soft sheath; mercy and manly courage
|
|
Are bedfellows in his visage. Palamon
|
|
Has a most menacing aspect; his brow
|
|
Is graved, and seems to bury what it frowns on;
|
|
Yet sometimes 'tis not so, but alters to
|
|
The quality of his thoughts. Long time his eye
|
|
Will dwell upon his object. Melancholy
|
|
Becomes him nobly; so does Arcite's mirth;
|
|
But Palamon's sadness is a kind of mirth,
|
|
So mingled, as if mirth did make him sad
|
|
And sadness merry. Those darker humors that
|
|
Stick misbecomingly on others, on them
|
|
Live in fair dwelling.
|
|
[Cornets. Trumpets sound as to a charge.]
|
|
Hark how yon spurs to spirit do incite
|
|
The princes to their proof! Arcite may win me,
|
|
And yet may Palamon wound Arcite to
|
|
The spoiling of his figure. O, what pity
|
|
Enough for such a chance? If I were by,
|
|
I might do hurt, for they would glance their eyes
|
|
Towards my seat, and in that motion might
|
|
Omit a ward or forfeit an offense
|
|
Which craved that very time.
|
|
[Cornets. A great cry and noise
|
|
within crying "A Palamon!"]
|
|
It is much better
|
|
I am not there. O, better never born
|
|
Than minister to such harm!
|
|
|
|
[Enter Servant.]
|
|
|
|
What is the chance?
|
|
|
|
SERVANT The cry's "A Palamon."
|
|
|
|
EMILIA Then he has won. 'Twas ever likely.
|
|
He looked all grace and success, and he is
|
|
Doubtless the prim'st of men. I prithee run
|
|
And tell me how it goes.
|
|
[Shout and cornets, crying "A Palamon!"]
|
|
|
|
SERVANT Still "Palamon."
|
|
|
|
EMILIA
|
|
Run and inquire. [Servant exits.]
|
|
[Addressing Arcite's picture.] Poor servant, thou hast
|
|
lost.
|
|
Upon my right side still I wore thy picture,
|
|
Palamon's on the left--why so, I know not.
|
|
I had no end in 't else; chance would have it so.
|
|
On the sinister side the heart lies; Palamon
|
|
Had the best-boding chance.
|
|
[Another cry, and shout within, and cornets.]
|
|
This burst of clamor
|
|
Is sure th' end o' th' combat.
|
|
|
|
[Enter Servant.]
|
|
|
|
|
|
SERVANT
|
|
They said that Palamon had Arcite's body
|
|
Within an inch o' th' pyramid, that the cry
|
|
Was general "A Palamon." But anon,
|
|
Th' assistants made a brave redemption, and
|
|
The two bold titlers at this instant are
|
|
Hand to hand at it.
|
|
|
|
EMILIA Were they metamorphosed
|
|
Both into one--O, why, there were no woman
|
|
Worth so composed a man! Their single share,
|
|
Their nobleness peculiar to them, gives
|
|
The prejudice of disparity, value's shortness,
|
|
To any lady breathing.
|
|
[Cornets. Cry within, "Arcite, Arcite."]
|
|
More exulting?
|
|
"Palamon" still?
|
|
|
|
SERVANT Nay, now the sound is "Arcite."
|
|
|
|
EMILIA
|
|
I prithee lay attention to the cry;
|
|
Set both thine ears to th' business.
|
|
[Cornets. A great shout, and cry "Arcite, victory!"]
|
|
|
|
SERVANT The cry is "Arcite"
|
|
And "Victory! Hark, Arcite, victory!"
|
|
The combat's consummation is proclaimed
|
|
By the wind instruments.
|
|
|
|
EMILIA Half-sights saw
|
|
That Arcite was no babe. God's lid, his richness
|
|
And costliness of spirit looked through him; it could
|
|
No more be hid in him than fire in flax,
|
|
Than humble banks can go to law with waters
|
|
That drift-winds force to raging. I did think
|
|
Good Palamon would miscarry, yet I knew not
|
|
Why I did think so. Our reasons are not prophets
|
|
When oft our fancies are. They are coming off.
|
|
Alas, poor Palamon!
|
|
|
|
[Cornets. Enter Theseus, Hippolyta, Pirithous,
|
|
Arcite as victor, and Attendants and others.]
|
|
|
|
|
|
THESEUS
|
|
Lo, where our sister is in expectation,
|
|
Yet quaking and unsettled.--Fairest Emily,
|
|
The gods by their divine arbitrament
|
|
Have given you this knight; he is a good one
|
|
As ever struck at head.--Give me your hands.
|
|
Receive you her, you him. Be plighted with
|
|
A love that grows as you decay.
|
|
|
|
ARCITE Emily,
|
|
To buy you I have lost what's dearest to me
|
|
Save what is bought, and yet I purchase cheaply,
|
|
As I do rate your value.
|
|
|
|
THESEUS O loved sister,
|
|
He speaks now of as brave a knight as e'er
|
|
Did spur a noble steed. Surely the gods
|
|
Would have him die a bachelor, lest his race
|
|
Should show i' th' world too godlike. His behavior
|
|
So charmed me that methought Alcides was
|
|
To him a sow of lead. If I could praise
|
|
Each part of him to th' all I have spoke, your Arcite
|
|
Did not lose by 't, for he that was thus good
|
|
Encountered yet his better. I have heard
|
|
Two emulous Philomels beat the ear o' th' night
|
|
With their contentious throats, now one the higher,
|
|
Anon the other, then again the first,
|
|
And by-and-by out-breasted, that the sense
|
|
Could not be judge between 'em. So it fared
|
|
Good space between these kinsmen, till heavens did
|
|
Make hardly one the winner.--Wear the garland
|
|
With joy that you have won.--For the subdued,
|
|
Give them our present justice, since I know
|
|
Their lives but pinch 'em. Let it here be done.
|
|
The scene's not for our seeing. Go we hence
|
|
Right joyful, with some sorrow.--Arm your prize;
|
|
I know you will not lose her.--Hippolyta,
|
|
I see one eye of yours conceives a tear,
|
|
The which it will deliver.
|
|
|
|
EMILIA Is this winning?
|
|
O all you heavenly powers, where is your mercy?
|
|
But that your wills have said it must be so,
|
|
And charge me live to comfort this unfriended,
|
|
This miserable prince, that cuts away
|
|
A life more worthy from him than all women,
|
|
I should and would die too.
|
|
|
|
HIPPOLYTA Infinite pity
|
|
That four such eyes should be so fixed on one
|
|
That two must needs be blind for 't.
|
|
|
|
THESEUS So it is.
|
|
[Flourish. They exit.]
|
|
|
|
Scene 4
|
|
=======
|
|
[Enter Guard with Palamon and his Knights,
|
|
pinioned; Jailer, Executioner and Others,
|
|
carrying a block and an ax.]
|
|
|
|
|
|
PALAMON
|
|
There's many a man alive that hath outlived
|
|
The love o' th' people; yea, i' th' selfsame state
|
|
Stands many a father with his child. Some comfort
|
|
We have by so considering. We expire,
|
|
And not without men's pity. To live still,
|
|
Have their good wishes; we prevent
|
|
The loathsome misery of age, beguile
|
|
The gout and rheum that in lag hours attend
|
|
For gray approachers; we come towards the gods
|
|
Young and unwappered, not halting under crimes
|
|
Many and stale. That sure shall please the gods
|
|
Sooner than such, to give us nectar with 'em,
|
|
For we are more clear spirits. My dear kinsmen,
|
|
Whose lives for this poor comfort are laid down,
|
|
You have sold 'em too too cheap.
|
|
|
|
FIRST KNIGHT What ending could be
|
|
Of more content? O'er us the victors have
|
|
Fortune, whose title is as momentary
|
|
As to us death is certain. A grain of honor
|
|
They not o'er-weigh us.
|
|
|
|
SECOND KNIGHT Let us bid farewell;
|
|
And with our patience anger tott'ring Fortune,
|
|
Who at her certain'st reels.
|
|
|
|
THIRD KNIGHT Come, who begins?
|
|
|
|
PALAMON
|
|
E'en he that led you to this banquet shall
|
|
Taste to you all. [To Jailer.] Ah ha, my friend, my
|
|
friend,
|
|
Your gentle daughter gave me freedom once;
|
|
You'll see 't done now forever. Pray, how does she?
|
|
I heard she was not well; her kind of ill
|
|
Gave me some sorrow.
|
|
|
|
JAILER Sir, she's well restored,
|
|
And to be married shortly.
|
|
|
|
PALAMON By my short life,
|
|
I am most glad on 't. 'Tis the latest thing
|
|
I shall be glad of; prithee, tell her so.
|
|
Commend me to her, and to piece her portion,
|
|
Tender her this. [He gives his purse to Jailer.]
|
|
|
|
FIRST KNIGHT Nay, let's be offerers all.
|
|
|
|
SECOND KNIGHT
|
|
Is it a maid?
|
|
|
|
PALAMON Verily, I think so.
|
|
A right good creature, more to me deserving
|
|
Than I can quit or speak of.
|
|
|
|
ALL KNIGHTS Commend us to her.
|
|
[They give their purses.]
|
|
|
|
JAILER
|
|
The gods requite you all and make her thankful!
|
|
|
|
PALAMON
|
|
Adieu, and let my life be now as short
|
|
As my leave-taking. [Lays his head on the block.]
|
|
|
|
FIRST KNIGHT Lead, courageous cousin.
|
|
|
|
SECOND AND THIRD KNIGHTS We'll follow cheerfully.
|
|
|
|
[A great noise within crying "Run!" "Save!" "Hold!"
|
|
Enter in haste a Messenger.]
|
|
|
|
|
|
MESSENGER
|
|
Hold, hold! O, hold, hold, hold!
|
|
|
|
[Enter Pirithous in haste.]
|
|
|
|
|
|
PIRITHOUS
|
|
Hold, ho! It is a cursed haste you made
|
|
If you have done so quickly!--Noble Palamon,
|
|
The gods will show their glory in a life
|
|
That thou art yet to lead.
|
|
|
|
PALAMON Can that be,
|
|
When Venus, I have said, is false? How do things
|
|
fare?
|
|
|
|
PIRITHOUS
|
|
Arise, great sir, and give the tidings ear
|
|
That are most dearly sweet and bitter.
|
|
|
|
PALAMON, [rising] What
|
|
Hath waked us from our dream?
|
|
|
|
PIRITHOUS List then: your
|
|
cousin,
|
|
Mounted upon a steed that Emily
|
|
Did first bestow on him--a black one, owing
|
|
Not a hair worth of white, which some will say
|
|
Weakens his price, and many will not buy
|
|
His goodness with this note, which superstition
|
|
Here finds allowance--on this horse is Arcite
|
|
Trotting the stones of Athens--which the calkins
|
|
Did rather tell than trample, for the horse
|
|
Would make his length a mile, if 't pleased his rider
|
|
To put pride in him. As he thus went counting
|
|
The flinty pavement, dancing, as 'twere, to th' music
|
|
His own hooves made--for, as they say, from iron
|
|
Came music's origin--what envious flint,
|
|
Cold as old Saturn, and like him possessed
|
|
With fire malevolent, darted a spark,
|
|
Or what fierce sulphur else, to this end made,
|
|
I comment not; the hot horse, hot as fire,
|
|
Took toy at this and fell to what disorder
|
|
His power could give his will; bounds, comes on end,
|
|
Forgets school-doing, being therein trained
|
|
And of kind manage. Pig-like he whines
|
|
At the sharp rowel, which he frets at rather
|
|
Than any jot obeys; seeks all foul means
|
|
Of boist'rous and rough jadery to disseat
|
|
His lord that kept it bravely. When naught served,
|
|
When neither curb would crack, girth break, nor
|
|
diff'ring plunges
|
|
Disroot his rider whence he grew, but that
|
|
He kept him 'tween his legs, on his hind hoofs
|
|
On end he stands
|
|
That Arcite's legs, being higher than his head,
|
|
Seemed with strange art to hang. His victor's wreath
|
|
Even then fell off his head, and presently
|
|
Backward the jade comes o'er, and his full poise
|
|
Becomes the rider's load. Yet is he living,
|
|
But such a vessel 'tis that floats but for
|
|
The surge that next approaches. He much desires
|
|
To have some speech with you. Lo, he appears.
|
|
|
|
[Enter Theseus, Hippolyta, Emilia,
|
|
and Arcite carried in a chair.]
|
|
|
|
|
|
PALAMON
|
|
O, miserable end of our alliance!
|
|
The gods are mighty, Arcite. If thy heart,
|
|
Thy worthy, manly heart, be yet unbroken,
|
|
Give me thy last words. I am Palamon,
|
|
One that yet loves thee dying.
|
|
|
|
ARCITE Take Emilia
|
|
And with her all the world's joy. Reach thy hand;
|
|
Farewell. I have told my last hour. I was false,
|
|
Yet never treacherous. Forgive me, cousin.
|
|
One kiss from fair Emilia. [She kisses him.]
|
|
'Tis done.
|
|
Take her. I die. [He dies.]
|
|
|
|
PALAMON Thy brave soul seek Elysium!
|
|
|
|
EMILIA
|
|
I'll close thine eyes, prince. Blessed souls be with
|
|
thee!
|
|
Thou art a right good man, and while I live,
|
|
This day I give to tears.
|
|
|
|
PALAMON And I to honor.
|
|
|
|
THESEUS
|
|
In this place first you fought; e'en very here
|
|
I sundered you. Acknowledge to the gods
|
|
Our thanks that you are living.
|
|
His part is played, and though it were too short,
|
|
He did it well. Your day is lengthened, and
|
|
The blissful dew of heaven does arrouse you.
|
|
The powerful Venus well hath graced her altar,
|
|
And given you your love. Our master, Mars,
|
|
Hath vouched his oracle, and to Arcite gave
|
|
The grace of the contention. So the deities
|
|
Have showed due justice.--Bear this hence.
|
|
|
|
PALAMON O cousin,
|
|
That we should things desire which do cost us
|
|
The loss of our desire, that naught could buy
|
|
Dear love but loss of dear love.
|
|
[Arcite's body is carried out.]
|
|
|
|
THESEUS Never Fortune
|
|
Did play a subtler game. The conquered triumphs;
|
|
The victor has the loss; yet in the passage
|
|
The gods have been most equal.--Palamon,
|
|
Your kinsman hath confessed the right o' th' lady
|
|
Did lie in you, for you first saw her and
|
|
Even then proclaimed your fancy. He restored her
|
|
As your stol'n jewel and desired your spirit
|
|
To send him hence forgiven. The gods my justice
|
|
Take from my hand and they themselves become
|
|
The executioners. Lead your lady off,
|
|
And call your lovers from the stage of death,
|
|
Whom I adopt my friends. A day or two
|
|
Let us look sadly, and give grace unto
|
|
The funeral of Arcite, in whose end
|
|
The visages of bridegrooms we'll put on
|
|
And smile with Palamon--for whom an hour,
|
|
But one hour since, I was as dearly sorry
|
|
As glad of Arcite, and am now as glad
|
|
As for him sorry. O you heavenly charmers,
|
|
What things you make of us! For what we lack
|
|
We laugh, for what we have are sorry, still
|
|
Are children in some kind. Let us be thankful
|
|
For that which is, and with you leave dispute
|
|
That are above our question. Let's go off
|
|
And bear us like the time.
|
|
[Flourish. They exit.]
|
|
|
|
|
|
|
|
|
|
[Enter Epilogue.]
|
|
|
|
|
|
EPILOGUE
|
|
I would now ask you how you like the play,
|
|
But, as it is with schoolboys, cannot say.
|
|
I am cruel fearful! Pray yet, stay a while,
|
|
And let me look upon you. No man smile?
|
|
Then it goes hard, I see. He that has
|
|
Loved a young handsome wench, then, show his
|
|
face--
|
|
'Tis strange if none be here--and, if he will,
|
|
Against his conscience let him hiss and kill
|
|
Our market. 'Tis in vain, I see, to stay you.
|
|
Have at the worst can come, then! Now what say
|
|
you?
|
|
And yet mistake me not: I am not bold.
|
|
We have no such cause. If the tale we have told--
|
|
For 'tis no other--any way content you--
|
|
For to that honest purpose it was meant you--
|
|
We have our end; and you shall have ere long,
|
|
I dare say, many a better, to prolong
|
|
Your old loves to us. We, and all our might,
|
|
Rest at your service. Gentlemen, good night.
|
|
[Flourish. He exits.]
|